Michael Corleone

work, determination and initiative. Becoming “American” has been a constant topic brought up in mafia films such as Scarface, The codfather part I and II. The Corleone is a family run and operated business, founded on trust, support and protection. The Godfather displays the dark side of how the American Dream can affect who you become. Michael let the idea of the american dream push them to obtain power and greed which eventually lead to their downfall. Increasing amounts of Italians,…

Godfather movies, Michael Corleone attempts to find his place in the Corleone family. Michael is the youngest son of Vito Corleone, who is the original “Godfather” and head of the Corleone family. In the beginning of the first movie, Michael insists on remaining away from the family business, and enlists in the Marines to be away from the family. However, he eventually returns home with his girlfriend to introduce her to the family. When his father is nearly assassinated, Michael offers to…

After the death of Vito Corleone (played by Marlon Brando), his youngest son Michael (played by Al Pacino) is now the head of the Corleone crime family. With new responsibilities placed on his shoulders, Michael now orchestrates the murders of his rivals, the other head families, in order to take control as the dominant family. Through a five minute scene, the murders and the baptism of his nephew manage to intertwine a lot of prevalent themes in the Godfather (by Francis Ford Coppola), into a…

Any lover of film will almost invariably link this quote by Don Corleone to The Godfather (1972). Even an eight-year-old me could identify the name of the film, even though I had not yet been able to enjoy the masterpiece. I vaguely knew what the film was about: violence, crime, something about family and business, and mafioso culture. However, apart from the most iconic scenes, I probably would not have been able to watch a clip and decisively state, “Oh, I know this movie—isn’t it like called…

Vito Corleone, portrayed by Marlon Brando, is the patriarch and heads the Corleone family in The Godfather. He plays a shrewd Mafia boss known as the Godfather an older man in the first movie of this trilogy; however; as a young man, he is a depicted as a callous, yet ambitious Sicilian immigrant in New York. Vito is a loving father and husband who represents strong family, traditional values; preserving the sacredness of the family at any cost. One of the first examples of strong family values…

showcases the moral struggle the protagonist Michael Corleone faces throughout the film, cinematically opposing the two sides of his personality through formalism. The scene, in particular, uses the two different senses of the word ‘Godfather’ which the film has created to structure the two contents of this scene. The directly opposing but also weaving together the two events that respectively describe one meaning of the word each. The first is Michael Corleone’s status as an actual ‘Godfather,’…

start off, this scene shows Michael as his character changes from the outsider of the family to the leader. The scene begins outside of the hospital, with the setting of the scene is Christmas time, which is the time of the birth of Jesus, in terms of The Godfather, it is the time of the rebirth of the next Godfather, who is Michael. When Michael walks into Vito’s hospital room, the camera shows that Vito was placed into room number two. This is a symbolic meaning that Michael will be the second…

sexual and profane scenes as its plot centers on the Corleone family and their criminal business. However, despite its genre, Nino Rota’s score for the film is generally calm, elegant and operatic. For instance, the main theme of the film is a waltz called the “Godfather Waltz,” which counterpoints the horrible images presented on the screen. As a mournful waltz with a melancholic vibe, the “Godfather Waltz” serves as a leitmotif for Don Vito Corleone. In The Godfather, the “Godfather Waltz” is…

The selected scene is from 37:51 to 39:53 in the film Godfather, Part 2; altogether, there are 15 shots in this duration. This scene is centered with the conversation between Michael Corleone and his step-brother Tom Hagen. This conversation is expected to be very “private”, only between Michael and Tom. Therefore, both lighting and camera shots have to create the sense of mystique. In order to do so, generally speaking, the lighting in this room is very dark. It has struck a responsive chord in…

childhood he portrayed the life of the gangster from his childhood perspective and started Goodfellas with the line: "As far back as I can remember, I've always wanted to be a gangster.". In a way he painted a portrait of gangster royalty just like Velasquez did. What this did in the film itself could be the same thing that happened in this film, it introduced instability in a previously stable system of representation, or at least it seemed like a stable system of representation, but there are…