Low-angle shot

Medium close up. This shot is exactly the same as shot number 2, except that it can be categorized as a reaction shot from Ginger as she slows down and realizes how frantic she was; however, she soon aggressively speeds things up again that ultimately leads to fear and anxiety from Jason. These last three shots are rather slow placed relative to the rest of them because tensions are low, the scene is still relatively calm, and Ginger’s transformation into…

Goold had their own techniques of interpreting Macbeth. In this instance, for Act 1 Scene 1 when looking at the witches, all three film clips are focused on the shots to emphasize the witches. For Act 2 Scene 2 when the clips are showing the post murder meeting of Macbeth and Lady Macbeth all films were mainly assimilated on the shots for a visually reference. And lastly. Act 5 Scene 1, the films mainly highlight the actions and lighting aspects of the clip. All three films are effective in…

two men are challenging gravity while figthing most of the shot (1:58 – 2:12) have to be long in order to emphasis how the background and charcters are spinning and the effects are, for example from 1:12 to 1;14 you can see the long shot of the two men fighting but the thing that seems to be quite insignificant is the gun that dropped also react to the shift in gravity and sticks to the ceiling, the attention to detain from Nolan in this shot make me as a viewer amazed that something so small…

Central Park. Ken Burns, the director, seeks redress to prove the innocence of the completely dehumanized five, who were held accountable of a brutal crime by cruel detectives and prosecutors. Ken Burns uses archival footage, interviews and camera shots as conventions of documentary to acknowledge authority’s corruption and prove the boys were a victim of an unjust and venal system. He also aims to compel New York citizens to rectify their grim mistake against the five wrongfully accused…

breathe. He succeeds, but Caleb then starts to dry heave. The camera becomes noticeably shaky when this happens, adding to the sudden increased gravity of the shot and allowing the audience to experience the nausea as well. Suddenly, a large object appears to be coming out of Caleb’s mouth, and he then vomits it onto the floor. A shallow focus shot shows that it is a bloody apple. This is quite unexpected, but if one has been paying attention, the apple is actually a key to one of the film’s…

Analysis: Some Like It Hot, (1959) Billy Wilder Hollywood genre is represented in the 1959 musical comedy, Some Like It Hot through editing styles and screen play. Wilder uses high key lighting when character, Sugar; played by Marilyn Monroe is in the shot. By using choosing to use this glamourous white high key lighting grants the director the aesthetic of a Hollywood genre film. The screenplay of this film includes very exaggerated behavior from the actors/actresses. By exaggerating lines,…

scene starts with a mid shot Danny in his room looking at memorabilia of his…

of women directors, with women own Angle of view to see the world and human nature, she is the protagonist in the film is just a woman, the man just foil, and her heroine never have two distinctive characteristics, reaction against…

come over and she cooks for him. She agrees and allows him to come over for dinner not knowing his motive for doing so. In this scene (53:31-57:46) she is taken advantage of and raped by this man. During this scene, there is continuity editing, as two shot are being combined to make this one scene. While she is being raped the scene switches back and forth to Jo and her husband Carl at an opera show and both scenes end at the same time. There is also a point where the camera is on the clock as…

these shots, like in shots 41 and 51, the car is moving from frame left to right each time. Without a sense of continuity of direction, the viewer would not know where the car was headed, and if it was making any progress. By showing the repetition of the car heading from left to right, we get a sense that we are getting closer to the goal, which will eventually be on the right side of the frame. This was especially important in Death’s Marathon, since the car was in such a rush, the shot…