Kristoffer Tabori

The director, Kristoffer Tabori, oh my gosh, you gotta give this man so much credit. He is brilliant. 'Cause again, he is not like, "Well, this is what's on the page, so I gotta get it in the can." There was a lot of stuff changing before our eyes all the time. Even all of my scenes, I would come to set and be like, "What? Wait a minute. This is all different now. Okay." But Kristoffer Tabori gets so much of the credit for really making this move flow and be real, and there's nothing staged like, "This is where they sit and talk." It's so real, you know? This is what real people do. And this is how they move and this is what moves them. He really makes it three-dimensional. He really brings it to life, and that was always exciting going to work too because there's just nothing stagnant or predictable about it. It really keeps you on this journey--you're moving all the time. So now I'm even more excited about the film. I love it when the actors are genuinely excited about it. It's not that they try to act like they're excited about it, but they actually are…

The comedy for a change. And Alison Sweeney--she is brilliant at this. And from the very first, we had just a great chemistry. And our director for the last two has been a wonderful actor and actor director named Kristoffer Tabori. And he is just brilliant. So we can trust him to help us with the rhythm. You know, we 've kind of gotten it down now. But especially when we were starting out, most directors have you not ever overlap in dialogue, but Kristoffer brings a reality to it. I think in…