Key signature

In his emotive lieder In der Frühe, Hugo Wolf utilizes key center discrepancies between piano accompaniment and the vocal line, lack of clear cadential motion, and quick-tempered movements through various tonal centers for the purpose of demonstrating the emotional complexity of a lost man struggling to find purposefulness in his daily life. Throughout his lieder, Wolf declares a key clearly with the left hand of the piano outlining the tonic triad; however, as soon as the vocal line enters,…

Rhythmic breakdown In this figure, a whole note takes a whole in a measure, a half note takes two in a measure, a quarter note takes up four in a measure, an eighth note takes up eight in a measure and a sixteenth note takes up sixteen in a measure. As mentioned earlier, this rhythmic grouping only applies when the bottom number is 4. In a compound meter these rhythmic groupings are quite different. B. Meter- is the systematic grouping of beats and their division in regularly recurring…

that was going on (a baby fell and started crying). No. 4 in C-sharp minor was one that i liked, it was polyphonic, because it sounded like it was racing. No. 5 in - flat Major (“Black Keys”) all 8 fingers are being used and both thumbs. In this piece he was using his thumbs and his right hand had nothing black keys and it still sound polyphonic, because of how fast it was going, but it sounded happy. No. 6 in E-flat Minor sound strange, dark, sad, and is used for voicing exercises. This pieces…

of “The Beatles”, the self-entitled White Album The first song of the album, “Back in the USSR”, written by Paul McCartney, directly parodies and references the Beach Boys, with subtler allusions to Chuck Berry and Ray Charles. It is set in the key of A major and has a 4/4 meter. Song form consists of an intro, four verse sections, each followed by a refrain, a bridge that follows only the second and third refrains, and an outro. The melody is undoubtedly bluesy, but further innovates on…

The climax consists of four measures with basic harmonies in D-flat major before moving into the coda (Figure 3). The climax begins with a tonic triad in second inversion which leads to a vi then a I in first inversion before a ii minor seventh chord in first inversion gives way to the pinnacle harmony of the climax in mm. 60: a V chord with a suspended fourth that does not resolve until a measure and a half later giving us a V7 and resolves naturally to a I. During the Vsus4 harmony, there is a…

repetition of the main theme by the alto. At a nearly undistinguishable pitch, the soprano introduces the main theme but is muffled before completion by the bass’ introduction of the answer in stretto. After the bass’ interruption, Bach shifts the key using modulation. Episode two is then introduced with the bass and alto perform an increasing segment similar to Episode one with the soprano providing…

Two violins, one viola, and a cello played Joseph Haydn’s String Quartet, Op. 76, No.3 (Emperor), II in quadruple meter and in the form of one homophonic theme with four polyphonic variations. The theme is introduced by the entire quartet in an conjunct melody that has three unique phrases. The first phrase, “A”, is the first to be introduced and repeated a second time, “A-A”. Phrase “A” moves smoothly from mid to high in ascending and descending conjunct intervals and is repeated. A second…

This made me begin to think about what other elements of music can affect the mood. The most prevalent factors I came up with were lyrics, key, and tempo. Lyrics are maybe the most obvious, since they portray a specific message through spoken language. Many people enjoy being able to relate to the content of a song’s lyrics, and often find comfort in the way the songwriter is able to describe…

Movement 1 - Allegro non troppo & un poco maestoso Allegro, meaning somewhat fast. Usually 120 to 160 bpm. Non troppo, meaning not too happy sounding, kind of sad. Un poco maestoso, meaning to be played a bit stately. Maestoso means stately or majestically. The main theme is a strongly played passage, with the full orchestra. The main theme is played in various forms throughout the first movement. During the end of the first movement, there’s a call and response section between the Horns…

Shoe Horn Sonata: In Misto’s play contrast is a powerful dramatic device. Describe its use in the Shoe Horn Sonata. “Shoe Horn Sonata is an impressive story of courage, hope, horror and friendship. This play is a tribute to commemorate the bravery of the women and to make their story of survival widely known. The historical context that the story has enables us to learn about the past events and to understand the true meaning of war and its consequences. The play draws on real events, the…