Julia Kristeva

The post-Independence, postcolonial narratives work out the constructs of the nation and analyze its text The dis¬courses or narratives written then and later address the issues of the 'new' nation-mapping of territorial spaces, the re¬grouping of communities, peoples, cultures, languages into a homogenous identity of being Indian and belonging to India. Within this text of national identity runs the sub-text of centrality and marginality. The schemes of the nation include or exclude people,…

artists have shunned the tradition of aesthetics, preferring to communicate their meaning through shocking subjects and media, what is now referred to as the “abject”. Their use of shocking images is referred to as the abject a term first used by Julia Kristeva (a psychoanalyst and literary theorist), which is a rejection of traditional aesthetics that came before, discarding the belief “that beauty and aesthetic…

were also viewed as a subject used by male artist is considered a lower male characteristic. The author also mentions Dinesen’s story “The Blank Page” and how it is used. It depicts a negative view of women’s art in many cases. In “Women’s Time,” Julia Kristeva addresses that women are held in two challenging time systems. The historical difficult being free to be part of linear, historical time related to the bourgeois nation-state and its political identities. This was a time of political…

Unfortunately, it is simply beyond the scope of this paper to analyze the entirety of these two productions of A Doll’s House. As a result, three scenes will be compared, contrasted, and analyzed through Butler’s theory in order to examine these gender performances. The three scenes chosen for this endeavor are as follows: Nora’s discussion with Torvald in the very beginning of Act I, Nora practicing the tarantella dance before the party in Act II, and Nora and Torvald’s final confrontation in…

Referencing Julia Kristeva’s “Powers of Horror,” Barbara Creed discusses how abject, or the discomfort resulting from one’s inability to distinguish something as either object or subject, relates to horror films. The author notes that “disfigurement as a religious abomination is also central to the slash movie, particularly those in which woman is slashed, the mark a sign of her ‘difference’, her impurity,” as suggested by Kristeva (Creed). In this example, the abject is…

married to shadow. No longer do I listen for the scrape of a keel On the blank stones of the landing" In this line I see that she is predicting her death " My hours are married to shadow". • U can refer to the critics Simone de Beauvoir and Julia Kristeva • When U link the critic's opinion ,ask yourself this Qs • Is the form and content of the work influenced by the author’s gender? • What ideological values that the author try to enhance? ………………………………………………………………………. U can start with…

filmic flow is disrupted with narration, dreams, hallucinations, flashbacks, and multiple storylines, as it can connect gaps in the narrative flow. Studying Intertextuality Intertextuality has been a common term since its first introduction by Julia Kristeva in her work of the late-1960s, notably her essay of 1969, translated as “Word,…

What does it mean by Post structuralism: Post structuralism emerged in the 1950s and 1960s as a movement standing against the key assumptions underlying the popular structuralism movement. Structuralism,its predecessiong school of thought,emphasized on the author as the prime subject of inquiry. In literary context,the author was considered all in all and was looked upon as the sole element of the work’s semantic content.But in opposition to this author centric notion rose up post-structuralism…