Frankenstein complex

The Monster’s God Victor Frankenstein is a character in Mary Shelley’s novel Frankenstein that has been accused of “playing God” because he goes against nature and dares to create life from death. Frankenstein possesses a God Complex that is apparent through his demeanor, social interactions, and choices. According to Analytical Psychology and Psychoanalysis, “‘The God Complex’ is a widespread psychological illusion of unlimited personal potential which misguides the person and can sometimes be the cause of serious troubles between the person and the society.” The Cyber Bullying Radar contributes that the person who possesses a God Complex may believe that he is never wrong, may not care about rules set by society, and believes that he can…

How destructive is the white savior complex? While the white savior complex article written by “Teju Cole” argues that many efforts by the North Americans to rescue “victims” of poverty and injustice in Africa are more about the western activist and their desire for a sentimental heroism than caring about the actual need of the African, it ultimately causes a major division between white activist and the racial other. The white savior complex is basically quite destructive trope that has been…

Applying this theory to literary text often gives one a more detailed examination of the minds of the text’s characters. “Frankenstein” is often read through a psychoanalytic lens, as there have been many articles, books, and dissertations written on the subject. The relationship between Frankenstein and his monster is troubled, and Freud’s theories regarding the Oedipus complex and the components of the human psyche help to understand why the characters are so troubled. Frankenstein created his…

Pride and Prejudice is a romance novel written by Jane Austen and published in 1813. Pride and Prejudice is firstly a novel about surpassing obstacles and finding true love and happiness. The story follows the emotional development of the main character Elizabeth Bennet, one of the five daughters of Bennet family, who has the tendency to judge too quickly. As the story progress, Elizabeth learns the difference between the superficial and the essential, throughout her relationship with Mr. Darcy.…

about the theater and plays and literature... it takes you quite a while to find out whether they’re really stupid or not” (Salinger 105). Despite having directly stated that Sally Hayes is knowledgeable, he later decides that it is not good enough for her to truly be intelligent. It is odd, when considering that these areas are where much of Holden Caulfield’s expertise lie as well. Even in matters of opinion, Holden Caulfield places his own ideas as superior to those of women, even those he…

Frankenstein, also known as the Modern Prometheus, is a story begins with captain finding this man dying of hypothermia on a dog sled, brought him on his ship and while the man was dying, he told the captain his life story. His story was about himself, a scientist, who was struck with grief when his mother died that he believed he could bring back the deceased by using electricity. His first trial and error he used his dog after it had been hit by a carriage, it lived for a short period and then…

The phenomenon that Stephen Crane created back in the late 19th century is referred to today as The Uncanny Valley. This valley is a graph that represents the spectrum as to which a person perceives an object as human and how it inversely grows less genuine the more realistic the object is supposed to be. By placing Henry in the Uncanny Valley he duplicates the tale of Frankenstein and his Monster but without giving the Monster a voice to express itself. Crane wants to be judge, jury and…

Throughout history women have been made to live in the shadows of a male dominated world. In the 1800’s, women had few opportunities and were extremely limited. Mary Shelley does an excellent job portraying this in her novel, Frankenstein. In the novel, through her female characters, Shelly, shows how society thinks of women as weak possessions of men, rather than actual human beings. In Frankenstein, the female characters never get personal narratives and are made to be man's possessions.…

Mary Shelley’s ‘Frankenstein’ and William Blake’s ‘The Tyger’ are two pieces of literature from the Romantic period that describe misunderstood creatures who struggle to define themselves as solely good or evil in the eyes society’s expectations which then leads to the questioning of their very existence, and in the case of “Frankenstein”, resent. Both of these texts reflect the transformative worldviews of the Romantic movement and the rebellious attitude in regards to prevailing ideas and…

In the novel Frankenstein, Mary Shelley tells the story of two monsters, one with a boundless ambition that causes both to suffer the consequences. Through diction, figurative language, and juxtaposed imagery, the character of Victor Frankenstein is established as an eager, studious man with a god-complex who desires to defy the laws of nature. Frankenstein’s “breathless eagerness” (26-27) and “unremitting ardor” pushed him to become the real monster on the inside (18). The specific diction…