Feminist literary criticism

In today’s world, people have their own opinion of literature. What creates remarkable literature? Could it be the well-developed characters? Might it be the intricate conflicts? The answer: there is no definition of literature, only points where people can agree upon. Agreeing on literature, schools often provide lists where they recommend books off of it to students. Sadly, one remarkable book is not on that list. Palace of Mirrors, which was written by Margaret Peterson Haddix, is that book.…

Hermeneutical Method and Exegetical Paper Literary Criticism is a hermeneutical method which pays close attention to the structure of the text. One of the first question which should be asked when conducting a literary criticism is what genre does the text fall into? When performing a literary criticism as a hermeneutical method, it is also important to establish the pericope of the text as it is extremely unlikely and impractical that a literary criticism would be written about the entire…

to me when you do, and I’m not interested in what lame internet sites say. I want to know what you think. To analyze anything, consider its function (purpose) and form (design), and how the function and form work together. To apply this to literary criticism: Ask yourself what purposes the author has for writing -- what is he/she trying to show, or argue, or criticize, or question? Ask yourself how the author has formed the work -- what structures and techniques do you see him/her using? Ask…

studied to understand the poet’s psyche, the metaphor of images, symbols, etc. for new untouched and unexplored findings in the genre of practical criticism. The poem has been deciphered on the basis of three psychoanalytic models (a) Lacan’s ‘Language and Unconscious’ (b) C.G. Jung’s ‘Collective Unconscious’ and (c) Northrop Frye’s ‘Archetypal Criticism’. Lacan’s ‘Language and Unconscious’, attempts to read ‘The Wasteland’ in the likeness of three-stage order of childhood formation viz…

her study of literature and feminist mind in order to compose a speech it allows us to draw upon our experience to give the text individual meaning (textual detail. This speech successfully achieves this through the level; of integrity that can be identified by the audience’s response. Enduring values and use of rhetoric to match and provoked a response from her audience. The speech was given in a time where western women were becoming incredibly conscious of feminist idealisms and thus the…

brief and indirect reference to a person, place, thing or idea of historical, cultural, literary or political significance. It does not describe in detail the person or thing to which it refers. It is just a passing comment and the writer expects the reader to possess enough knowledge to spot the allusion and grasp its importance in a text. (http://literarydevices.net/allusion/) For instance, you make a literary allusion the moment you say, “I do not approve of this quixotic idea,” Quixotic…

A critical lens is a perspective that the reader uses to examine a piece of literature. Different lenses look for unique details and aspects in the text, and help the reader find new information that may have never been discovered had the piece only been read through one single perspective. The archetypal lens is a critical viewpoint which allows the reader to identify places in a story which follow or deviate from universal patterns, also known as archetypes. Hamlet, the Prince of Denmark, is a…

Prior to reading Authority and American usage written by David Wallace by the title alone I had low expectation on how much I would enjoy the read but I grew to have a lot of interest in the reading. In the reading David Wallace raised the issues between Prescriptivism perception and descriptivism perception, as he goes back in history dates as far back as biblical times up to the present day observing how the English language has been constantly changing since the beginning of the English…

C.S. Lewis’s book, An Experiment in Criticism is about the quality of the book depends on how it is read since a book does not have a goal of being “good” or “bad”. Lewis achieves this by defining the differences between a “good” and “bad” reader within each chapter of the book. Lewis claims that “bad work never is nor can be enjoyed by anyone” (Page 21). This contradiction undermines Lewis by stating that there are such things as “good and bad art”. Lewis is logical with his syllogism and…

In The Crying of Lot 49, Oedipa Maas’ development as a reader represents the historical transformation from a traditional, transparent and factual way of understanding the world (typical of the 1950s and the Cold War period) towards a reading related to the possibility of multiple meanings and the metaphor (characteristic of the 1960s). In particular, the paranoid perception of reality, questioning the appearance of the things and looking for their transcendental meaning, allows the acceptance…