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    For Colored Girls Analysis

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    come over and she cooks for him. She agrees and allows him to come over for dinner not knowing his motive for doing so. In this scene (53:31-57:46) she is taken advantage of and raped by this man. During this scene, there is continuity editing, as two shot are being combined to make this one scene. While she is being raped the scene switches back and forth to Jo and her husband Carl at an opera show and both scenes end at the same time. There is also a point where the camera is on the clock as…

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    these shots, like in shots 41 and 51, the car is moving from frame left to right each time. Without a sense of continuity of direction, the viewer would not know where the car was headed, and if it was making any progress. By showing the repetition of the car heading from left to right, we get a sense that we are getting closer to the goal, which will eventually be on the right side of the frame. This was especially important in Death’s Marathon, since the car was in such a rush, the shot…

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    To be destroyed is to be rendered useless or completely defeated and is a state that can be brought upon by oneself or others. In Coky Giedroyc’s adaptation of Wuthering Heights, Emily Bronte’s characters are hurt and destroyed in order for significant ideas to be conveyed, making it a more effective text as audiences are able to understand ideas that may not be in plain sight. Wuthering Heights is set during the Victorian Era and centres around Cathy and Heathcliff 's developing romance and the…

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    components, the inciting incident, the story-worthy problem, the initial surface problem, and finally the setup (Edgerton, Les). These elements are all apparent in the opening scenes of Shutter Island. In the opening moments of film, an extreme long shot can be found, which shows Ashecliffe Hospital, the central set of the film. The Ashecliffe Hospital is a facility for the criminally insane. The facility is located on Shutter Island, which is set in Boston Harbor. The view is set from…

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    settings to capture the diverse range of images instantaneously. Active viewing was something, I thought I did, but it wasn’t until I took a step back and saw the variety of shots and how each one of them is put together that I realized that there is more then one way to watch a movie. The different ways that a film is shot and how the scene is constructed are ways directors convey meaning to the audience. Film language and mise-en-scene are greatly present during the film Edge of Tomorrow. The…

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    two men are challenging gravity while figthing most of the shot (1:58 – 2:12) have to be long in order to emphasis how the background and charcters are spinning and the effects are, for example from 1:12 to 1;14 you can see the long shot of the two men fighting but the thing that seems to be quite insignificant is the gun that dropped also react to the shift in gravity and sticks to the ceiling, the attention to detain from Nolan in this shot make me as a viewer amazed that something so small…

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    Jaws Conclusion

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    The connection between an audience and the story unfolding onscreen facilitates a reaction necessary to create an emotional impact. The connection is made possible by the films form due to music, shots, and editing. Steven Spielberg’s Jaws (1975) succeeded in terrorizing its viewers through such techniques, creating a fictitious environment that could very well become their actual reality. Kenneth Burke states that “any given terminology is a reflection of reality, by its very nature as a…

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    she studies how technology changes the law, criminal justice, and systems of American punishment and the effects it has on society. “I have studied the growth of what I call digital punishment by interviewing those who run criminal history and mug shot websites, by analyzing the content they produce, and by interviewing those working to clear their own criminal records through legal means even against the reality of an endless digital trail”. Sarah explains that…

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    Atonement Film Analysis

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    cottage becomes symbolic of Robbie’s hope to return home and return to Cecilia. In Dunkirk in which there were evacuations back to England, Robbie lights a match which reveals a close up shot of the image of the cottage given to him by Cecilia, along with a bundle of letters from her. There is then a close up shot of the light from the match flickering on Robbie’s face which gradually goes out. The last flashback within part two, occurs at this point and is in the form of a montage from his…

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    scene starts with a mid shot Danny in his room looking at memorabilia of his…

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