Establishing shot

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    people of all races crowd the tiny streets. The setting is confronting, the audience is visually and audibly agitated through busy abstract and surreal mise-en-scene. An example of this is the opening shot. Immediately the audience is immersed into the world as an extreme long shot (establishing shot) slowly tracks into the decaying city. Spaceships fly in and out of frame, passing goliath skyscrapers emitting fire and explosions. Non-diegetic deep instrumental music creates an ominous…

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    Based on pictorial qualities of the two juxtaposed shots. Both qualities of mise en scene and cinematography contribute to the relationship. Make a logical coherence between shots. Graphic match, two successive shots joined due to their strong similarity of compositional elements. Rhythmic relations are based on the time duration of juxtaposition shots Battlesh Potemkin Rhythm is more important than continuity Based on movement beat or action pace Camera does not follow 360 rule and…

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    day stole money out of his parents dresser. This scene is a typical point of view shot, allowing the viewer to fully understand what the mother is thinking as she scolds her son. In this scene the young man is the dominant figure in both the foreground and mid ground because the focus is on him, but the image has a background of the backseat of the car where the young man is sitting. To add to the point of view shot, J.Cole clothes the young man in bright colors to make sure that he is the…

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    Craig Sweeny

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    In the tv series Limitless developed by Craig Sweeny , an aspect that is well developed is establishing character in the scenes when he gets the jetpack at the end of episode 10, when he is telling his father about how he wants to be part of the FBI and in episode 5 where he leaves a message to no NZT Brian telling him he has to become bad ass Brian Craig Sweeny develops character establishment though the use of brain having two different sides to his personality both a serious side and a child…

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    According to Comolli and Narboni, the notion of category e films refers to an ideology that is firmly established at a starting point; the spectator must know that the film is sending the signal that a particular prevailing ideology is considered the “norm” or the order of things. The spectator has to literally disregard a sector of films in which consciousness of the ideology is elicited in a way that renders it in a straightforward fashion. Then, as the film progresses, the spectator notices…

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    The scene I will be analyzing is from the 1955 film The Night of the Hunter. The film’s plot is of two young children who are left with a large sum of money from their father who robbed a bank. Their widowed mother, desperate for love, marries Harry Powell (a.k.a. the preacher) who believes he delivers “God’s work” while also killing women on the side. He ends up murdering the children’s mom, and in turn, he becomes their caretaker. He soon finds out that the children know where the money is…

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    In the second-to-last shot of the scene, shot 10, Sister Helen convinces Matthew to read John 8:32, which commands "You shall know the truth, and the truth shall make you free". Matthew interprets this advice differently than Sister Helen intended, by believing that passing a lie detector test will remove him from Death Row. When he states this, the shot does not cut to his face. Instead, the camera remains on Sister Helen's face, where…

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    Chicago Symbolism

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    The symbolism was most seen in the dancing numbers that were cutting from real life to what Roxie was imagining. The first example was when Roxie shot Casely. She looked at her reflection and the image looking back at her turned blurry, indicating a shift in her character. Symbolism was also present when “Mama” was singing and pulling a green handkerchief from her bosom. The green handkerchief was…

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    straight shot of both the girl and her brother. It is when the first zombie attacks at about six minutes and 40 seconds through 10 minutes and 15 seconds the audience sees the first variation of camera angles. In this attack the whole scene is tilted to the side and jump cuts between the characters fight and the girls face which shows panic. As the plot progresses and she is running the image is also tilted, until an establishing shot of the farm house appears. This establishing shot shows…

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    Aldo and his team arrives to France and starts killing Nazis. It starts with a close up on and American soldier cutting the top a Nazi’s head then a wide shot of them killing German soldiers, and then close ups on individual American soldiers and German victims, then a wide crane shot showing Lt. Aldo sitting and talking to one of the leaders. Everything in that scene was perfect, it does a great job of making me feel the place and all of its details and vibes. It made…

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