Élisabeth-Louise Vigée-Le Brun

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  • Research Paper On Elisabeth-Louise Vigee-Lebrun

    Élisabeth-Louise Vigée-LeBrun, a Rococo era painter turned Neoclassical, was born in Paris on April 16, 1755. She lived to be eighty—seven as “one of the foremost portraitists in Europe at the end of the eighteenth century and during the first three decades of the nineteenth.” (NGA, web) (May, 1) Spanning a long career with over 600 paintings, Vigée-LeBrun is “characterized” and marveled “…as the much sought-after portraitist of not only European royalty and nobility, but also of notable personalities in the arts and letters of her time.” (May, 1) Accomplishing an early start in her career, Vigée-LeBrun, at the age of fifteen was already supporting her recently widowed mother and younger brother through her portrait paintings. (NMWA, web) According…

    Words: 2341 - Pages: 10
  • Élisabeth-Louise Vigée-Lebrun: Neoclassical

    Élisabeth-Louise Vigée-LeBrun, a Rococo era painter turned Neoclassical, was born in Paris on April 16, 1755. She lived to be eighty—seven as “one of the foremost portraitists in Europe at the end of the eighteenth century and during the first three decades of the nineteenth” (NGA, web) (May, 1). Spanning a long career with over 600 paintings, Vigée-LeBrun is “characterized” and marveled “…as the much sought-after portraitist of not only European royalty and nobility, but also of notable…

    Words: 2423 - Pages: 10
  • Elizabeth Vigee Lebrun Analysis

    Portrait of Marie-Antoinette en chemise or in a Muslin Dress, 1783, and her Portrait of Marie-Antoinette with her children, 1785-87 In 1783, Elisabeth Vigee-Lebrun painted one of the most famous portraits of marie-antoinette. In the painting Marie wore a gown in a style which was famously known as Gaulle. This style encompassed a white muslin dress which was loosely tied over her body and it had a sash on the waist. Marie also in that picture wore a wide-brimmed, hat which had a straw hat and…

    Words: 1588 - Pages: 7
  • Élisabeth Louise Vigée-Lebrun Analysis

    Élisabeth Louise Vigée-Lebrun Throughout history there have been, and always will be, artistic groups with differing ideas and morals, which causes them to clash. The art produced by these groups offer a visual representation of their beliefs, along with other insight on the social issues of the time period they are associated with. Women’s and human rights have been some of the most prevalent issues throughout history, and continue to be today. Artists tended to create artwork that reflected…

    Words: 1365 - Pages: 6
  • Marie Anne Vigee Lebrun Analysis

    Marie-Louise-Elisabeth Vigée Lebrun was a painter, she made historic paintings and were sought after her work especially from women, she was a favorite artist of aristocratic patrons throughout Europe at the end of the eighteenth century including Marie Antoinette, and had a predominant sense of style and skill in her painting’s. The spark of her passion started at a young age with the art’s. She proved that she was somewhat of a prodigy with her talents. In her teen years, her fame inclined,…

    Words: 1814 - Pages: 8
  • Marquise De Pompadour Research Paper

    She’s adorned in miles of the finest fabrics, delicate laces, and a million bows. Her dress is trimmed with gold. There isn’t a thing about it that doesn’t proclaim regal grace and beauty. The queen’s hair is the finishing piece. It’s tall, decorated with exquisite feathers and what were probably France’s finest pearls. This 1778 painting was done by Louise Élisabeth Vigée Le Brun, one of the most important female painters of the 18th century (Rafter, 2005). After having been summoned to…

    Words: 805 - Pages: 4
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