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    Personal Philosophy After completing the leadership inventory, I came to find that I had equal amounts of each of the four leadership styles. Personally, I thought my primary leadership style was analytical and my secondary leadership style was supportive. I did not see myself as being directive or adaptive, so I was surprised at the results. By having equal amounts of all four leadership styles, I will be able to use all the different characteristics of these leadership styles to aid in my…

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    The recapitulation is begins at bar 156. Measure 156 to 170 is presents the same things from P in exposition. But at bar 168, the chord changed. The original one is G (V in c minor). But there, it goes to Ab, which is the V in Db. The bar 169 is the tonic in Db and the 170 goes to Bb, which is the V in Eb major. Than, measure 171 to 173 arise a new phrase in Eb major. At the end of the bar 173, it goes to the V of C major, because after that, it’s the transition part, which is start at I in C…

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    American Overture for Band is a level six, wind band, piece that has been played and enjoyed by advanced high school and university bands. The scoring is dense and somewhat atypical, however. Jenkins includes a sting bass, a cello, three baritone parts, three flute parts, and four clarinet and trombone parts. Jenkins includes the string bass part because is important to the texture of the piece. The tuba cues, like all the cues in the piece, are “safety doublings” and “should be played only…

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    The courante (“running” or “flowing”) was a French dance whose choreography included bending the knee on the upbeat or offbeat and rising on the beat, often followed by a step or glide. The music is in moderate triple or compound meter and always begins with an upbeat. In many courantes, including the two in this suite, the meter shifts back and forth between 3/2 and 6/4, sometimes with different voices simultaneously implying different meters. Although the composer included two courantes in…

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    Jeanie with the light brown hair (published in 1854) by Stephen Foster is performed by a tenor with piano accompaniment. The piano introduces the work with a short prelude starting on a high note then descending in conjunct intervals, briefly ascends from a low note to a note close to F. The piano then varies the prior phrase by descending from a high note with eighth notes then sustaining a note close to A. Following the prelude, the tenor begins the first section on with “I” on the high note…

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    Eyeglasses Duo

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    The first piece I will depict is “Eyeglasses Duo”. This a duo played with a viola and a cello, which were performed by James VonValkenburg and Wei Yu. It began with the viola playing energetically, followed by the cello. Throughout this piece, it sounded like the two performers were chasing each other. The piece was played with two movements that have a playful tune. Each of the instruments played the them but the other performer would accompany. In this duo, the second movement is rarely…

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    Ellens dritter Gesang is written in strophic form like many other religious songs, repeating the same melody for every verse. This places importance on the lyrics and forces the listener to focus on the text rather than the melody. The melody is nevertheless attractive and simple, thus is easy to sing in church or at a religious gathering. Just like in many religious pieces, the song implements plagal cadences to create a greater effect of holiness and righteousness (Audio reference 4). The song…

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    Being dealt with the task to further improve my adulting skills is one I have never encountered. While this might have been a much more difficult task twenty years ago because there was no instructional video, I learned how to deal with a flat tire. I have been driving for nearly five years and have never been in a car accident (knock on wood), or a single flat tire. I completed driver education in high school, but for some reason was never taught how to do it. So on a Saturday afternoon I…

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    In Bach's D major and a minor fugues from The Well-Tempered Clavier, some of the characteristic that Bach often uses including descending 5th sequences in order to go from on tonal area to another tonal area. As you can see in the D major fugue, at the episode 2 which is from measure nine to measure 10, the sequences allows the music goes from b minor back to G major. The same technique is also used in the a minor fugue from measure 8 where it goes from a minor back to C major at measure 9. Some…

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    In Beethoven’s string quartet Op. 18 No. 4, there is the implication that the first movement sonata form has indeed been emancipated from the looming tyranny of the minor key and that the movement will, in fact, end in C major as opposed to C minor. In measure 194, the ESC is presented as a strong C major chord which should indicate the emancipation of the movement; however, this is not the case. As the closing material quickly continues, E-flats are reintroduced signaling that the outcome of…

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