Dance

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    of the media they produced inaccurate terminology in an effort to present the urban dance practice to the masses by creating a Westernized ideal/twist to the originality of the culture. Society constructs an Eurocentric conception forming a gap between anthropologist and scholars that exists due to the incorrect use of terms, the tendency to treat dance left to right, and the limited knowledge of non-western dance forms (joann) This often transpires when the Western domain is introduced to…

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    Artistic Creativity

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    of transposing a traditional ballet into another style of dance while maintaining the plot of and similar choreography to the original ballet. This project would challenge everyone involved to interpret a well-known, classical ballet differently than one would usually interpret it, and it would also draw on my own creativity in the process of changing the ballet into another style of dance. I would choose to do this project because dance is an integral part of my life…

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    Cuban Jimba Essay

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    In this article, “Changing Values in Cuban Rumba, A Lower Class Black Dance Appropriated by the Cuban Revolution,” by Yvonne Payne Daniel, quotes “To say, ‘We're all the same’ or ‘There is no racism in Cuba,’ is to mask difference and potentially to permit prejudice and discrimination to fester. Rumba illuminates the problems of the state in its attempt to link respect and prestige among all Cubans. Rumba performance, visually affirms the persistent reality of its origins in the nineteenth…

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    Pahkola Masks

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    The Pahkola people have two leaders for their ceremonies on that is in charge of leading the deer dances and one that is in charge of the pahkolam. Both leaders are call Moro, and the leader of the deer dance wears a black mask, but the other dancers were their created masks for the dance. The mask are commonly worn on the back or left side of the head and when a Pahkola person dies the mask is also places on the top of Pahkola person’s head when they are buried, along with a note. These mask…

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    Ballet Folklorico could never be expressed fully only on a canvas one needs to actually practice it dance it and perform it see the faces of the audience of how astonished they are of all the turns and steps being conveyed on the stage. One could ever have this stupendous experience in just plain paper and pen. What other piece of composition that makes…

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    Capoeria Research Paper

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    All across the world there are dances for everything from weddings to war preparation to child birth; dance is an important aspect of many cultures, traditions and societies. My life has been influenced by a number of dance forms. One dance type I feel very passionate about dicussing and practicing is Capoeria. Capoeria is a dance that form I was introduced to when I was around 7 years old by the local Boys & Girls Club and as I began to get older and do my own research on its origin and…

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    Patella Choreography

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    I could finally return to dance for my sophomore year at Booker T. Washington. The time I spent unable to dance led me to explore other pathways associated with the arts. Because I was not able to participate in my technique classes I was told to take extensive notes over corrections and the class as a whole; I began to draw connections from the first combination to the last. This was a cognitive approach to dance that I had never taken before, when I returned to dance I was able to take class…

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    Nora Tarantella Quotes

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    The tarantella is described as a zealous dance full of upbeat movement. It is a dance mainly preformed by women to arouse the love of their partner. In the play Nora dances the tarantella to please Torvald; this symbolizes a side she does not normally show. Torvald states, Helmer:” Slower, slower!” Nora: “I can’t do it any other way.” Helmer: “Not so violently, Nora!” Nora: “This is the way.” Helmer : “ No, no- that is not a bit right.” Nora: “Didn’t I tell you so?” (Act 2 Nora, Torvald).…

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    greatest figures in the dance field, award-winning dancer and choreographer Carmen de Lavallade remains esteemed by all who treasure her contributions to ballet. After fifty years, de Lavallade continues to maintain and heighten a career comprised of Broadway, film, opera, television performances, and choreographed work. Described as mesmerizing and ethereal by both dance connoisseurs and critics alike, de Lavallade has dedicated a lifetime to expressing traditional forms of dance, as well as…

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