Corleone

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    The Godfather Women

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    Men and Women in movies can be portrayed in different ways in movies, whether it’s roles or their conversations. In the movie “The Godfather” by Francis Ford Coppola, men are portrayed with more power and diverse roles in the profession. Women on the other hand do not have many roles. Coppola portrays men and women with different roles while giving men more roles. Men and women are different in many ways. Men almost always have greater diversity of roles to play and in “The Godfather” it’s no…

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    dignity of this people. 4. In the film, The Road to Perdition, we are given a unique perspective on the relationship of father and son in the context of gangster films. In the Godfather (1972), we see a growing father and son relationship between Vito Corleone and Michael. In a thoughtful one-page essay that makes references to these films, compare and contrast the father and son relationships in The Godfather and The Road to Perdition. In the Godfather, you may refer to any of the father son…

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    The male characters are dressed in smart, expensive suits, which could suggest that they are highly respected and that they are confident and paramount. Additionally, fashion is regarded important in Italian families. After Michael Corleone becomes the head of the Corleone family, he says ‘women and children can be careless, not men’ which could suggest that the men in the family are supposed to protect and provide, while the women raise the children and socialise. The women are traditionally…

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    During the time of the 1970’s, when the mafia became operative again, they were very involved in heroin profits as well as creating an increase in tobacco smuggling. Families were also not as well off at this time and in order to get more money they used kidnapping as a method of fulfilling their families needs. By the time of 1982, the Sicilian mafia had established its authority in the market and had the intention of running an independent distribution network. Once the network had flourished…

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    Gangster archetypes: the gangster, the best friend, the canarian, the moll, the mother are some of the key factors that a gangster movie is made out of. This is, according to Hughes, something that any gangster film has to have in order to be a gangster film (215). All these archetypes are carefully defined and are not prone to significant changes which could be regarded as being in sync with the changes in the state of the society. Still, some of the archetypes did get some alterations, and…

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    In the mafia movie Godfather Part 3, the crime boss Michael Corleone, when confronted with the difficulties of trying to take his crime family legitimate, frustratingly states, “It took me to go legitimate to find out where the real criminals are.” Is Statesmanship still possible in today’s political context? Interestingly, one of Susan B. Anthony’s biggest hurdles in women suffrage movement existed, subsequently, because it stood linked with temperance, “ensuring its defeat by men who feared…

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    the ruler, the ruler protects them. They would build up armies in which everyone had some form of title, and then they would use them as needed. These dynasties took more than battle skills alone to keep, calculating wit was needed as well. The Corleones resembled a feudal dynasty in more ways than one. The Godfather was the ultimate ruler. The mall that they lived in, resembled the towns of a feudal dynasty. The Godfather was surrounded first and foremost by his closest allies. As the power…

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    In 1972 “The Godfather” premiered in movie theaters across the United States and world. We saw Don Corleone control government officials, movie stars, and others like puppets. The Italian Mafia was running New York which begged the questions, have they always controlled the government? What other decisions have they affected and what about the original mafia in Italy? This paper asks, did the mafia (from its ties to politicians, money, and systems in place) affect the way that Italy’s republic…

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    I have lived my life between two worlds; one of fiction and fantasy where the goal is doubtlessly achieved and the reward outweighs all costs, the other world is filled with disappointment, rare glimpses of true satisfaction, yet it contains my being. The fictional world has satisfied my need for hope during times of great disappointment caused by the latter. My reality has been a girl and her mother fighting against my pain, while others would ignore or deny its constant existence. Throughout…

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    illumination” (p. 90). In this stage, the hero “moves in a dream landscape of curiously fluid, ambiguous forms” (p. 81) where he must undergo a series of ordeals to begin the transformation. After killing the men, Michael is sent to hide in Sicily while the Corleone family prepares for war with the other mafia families and for a safe return for Michael. His initiation begins with his arrival in Sicily. At first, the place looks beautiful and peaceful, however, Michael faces a few obstacles. The…

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