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Maximizing shareholder’s wealth is the most important business managers or chief executives ' responsibility. When the company becomes public, investors supply assets and cash. In order to keep up those assets, the chief executive or manager has to make decisions to increase the shareholder 's return, which occasionally can be inhuman and unethical. In Network, it displays Frank Hackett’s willingness (Robert Duvall) to make decisions, which is in his favor but intentionally puts Howard Beale…

The film that I have chosen to analyze is Lessons of Darkness by Werner Herzog. I chose this film because I really enjoy Herzog’s film style, and I also enjoy how he uses specific shots and scenes to portray how he is against the gruesome nature of war and attacks. In this film, I have chosen two sequences where I believe that Herzog is trying to get his point across of the violence that come from war. For example, as Herzog uses the first sequence of the birds, to the bones of the dead, to the…

consideration. For instance, the memories Saroo has of himself as a child, those shots are filmed from the perspective of a three foot tall child. In order for Fraser to enhance the emotion in each shot he uses techniques like height, camera movement, close-up shots, and lighting. Throughout the movie, we not only see but also experience the memories Saroo has as a child. We are able to feel as if we were Saroo at the age of five wandering around Khandwa, India because of the way Fraser shoots…

arm and drags him to a private area where he closes a curtain. There seems to be a tracking shot used, as the whole time, the two are framed in roughly a close shot. Once there, the camera pans, as Vaughn enters the left side of the frame into the foreground while Brody stays in the center middleground. This is arguably a two-shot, as Brody is still in more of a close up (but it’s hard to tell because he bends down a little) and Vaughn is in a close-up. A few seconds later, Vaughn moves over…

camera cuts to a medium shot as she continues to turn over her right shoulder. When Sue looks over her shoulder and the camera cuts to the direction of her glaze- this here is an example of continuity editing. Wilder cuts the camera in a way that matches up with the direction that Sue is looking, normally this editing style is used because it is a way of making smooth transitions between cuts. Once she’s completely facing the band the camera cute to another medium shot but now of the band. The…

Scottie. Over the next few seconds, she moves towards the camera which tilts downwards, putting her feet in a close-up right in the foreground. Moving back afterwards, the camera tilts upwards, bookending the shot with a similar frame. In the sequences with the full shot, the frames seem to be fairly balanced, with both sides basically equally filled by figures and objects. However, in the close up of the feet, as created by Novak’s movement and the tilt, there is an interesting balance in that…

white background. They both ended up learning new things from each other. Red takes Andy under his wing and shows him the way to do things in prison. Both characters gain mutual respect for each other whilst being in prison. Red and Andy struggle to survive the horrors of prison,…

in 1971 during the Troubles. He accidentally becomes the target for all parties involved and the complexity of the good and the bad in the Troubles become apparent. In the sequence I’ve chosen, Hook has his first glimpse of safety when he gets picked up by a young Protestant boy and taken a Loyalist pub. After mistakenly interrupting a bomb meeting led by a double-crossing Military Reaction Force’s (MRF) member, the pub suddenly explodes severely injuring the young Protestant boy. I hope to…

viewers get as they watch it. Sometimes Reggio decided what to shoot only after Glass came up with the music that would end up energizing Reggio’s films. Reggio chose to shoot unscripted footage, shooting anything he thought looked good, and then worked on editing it into an hour-long film. It took 7 years to shoot, edit, and release this film (1975 – 1982). Plot The film starts out with calm wide shots and close ups of nature such…

relatively considerate, as he paces himself trying to convince Mr. Robinson that all will be okay in the end. Ben, approaches Mr. Robinson and the scene cuts to a wide shot as Mr. Robinson shouts “Stay away from me Ben”, Murray Hamilton 's performance builds up from calm to angry. Ben becomes the intimidating character, something of a monster in this scene, it is uncertain whether Ben can be with Elaine or not this question drives the resolution/third…