Chord

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    Post Truss Bridge

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    the top chord, I have made it an I-beam, where a beam running from the middle of one top chord to the other, helping to keep it stable to prevent any unbalanced load on either side of the top chord. The tension forces on the bridge are found along the bottom chord (roadbed), where the force from the rod’s weight is distributed outwards towards the contact points, along with a deflection force pushing the middle of the bridge down. The vertical posts are also under tension, as the bottom chord…

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    The song that I’ve created comes with a mixture of inspirations. I’ve recently come to realize that Lofi-Jazz / Lofi-Hip Hop is currently my favorite genre of music. I’ve used some elements of this genre into my own song while also using fusion jazz influences. As a child my father always listened to jazz music around me, while my siblings and peers listened to hip hop, so naturally I would eventually shape the music that I produce myself, using both elements. J Dilla and Nujabes are two of the…

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    But at bar 168, the chord changed. The original one is G (V in c minor). But there, it goes to Ab, which is the V in Db. The bar 169 is the tonic in Db and the 170 goes to Bb, which is the V in Eb major. Than, measure 171 to 173 arise a new phrase in Eb major. At the end of the bar 173, it goes to the V of C major, because after that, it’s the transition part, which is start at I in C major. Measure 174 to 181 is same as the transition in exposition. From bar 182, the chord and key starts to…

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    Which was the Romantic Era where he created new ways of thinking, new chords, but also managed to stay with the old ways with a slight twist. Mr. Beethoven had realized that he did not have to compose to appeal to everyone, that is what set him apart from the others and made him a huge influence on the ones who heard his expressive…

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    Fusion Rock Analysis

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    Harmony and chord progressions, instrumentation and compositional techniques were all considered by the artists to skilfully fuse the genres together. While both are considered excellent examples of fusion rock, Smooth shares characteristics from both styles quite equally, making it difficult to distinguish whether the song is closer to rock or Latin music, hence making it the better example of fusion rock. Harmony is an important part in composing engaging music and using an effective chord…

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    Some of the pianists, for instance, Van Cliburn (1962), Lang Lang (2004) and Rachmaninoff (1924) play these big chords tidily and without a break. However, each of the chords for the left hand is spaced so widely that a small hand can hardly reach the notes without a break. Thus, one of the possible suggestions is to skip some notes to arpeggio the chords as Vladmir Ashkenazy played in his 1985 recording. However, a more efficient solution is suggested by Slenczynska (Chung, 1988,…

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    In the first movement of his Concerto for Clarinet and String Orchestra Op. 31, Gerald Finzi utilizes downward bass motion, disagreeing key areas, and ambiguous cadences for the purpose of establishing a sense of wandering and despair. Much like other well-known British composers of mid-twentieth century, Gerald Finzi’s music takes advantage of dissonant and dense orchestration, as well as reflections upon political turmoil and personal ailment of the period. During World War II, Finzi became…

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    Back to bar 30. Fast. Allegro. Driving.” the conductor’s voice permeated the hall. Adrenaline flowed through my vessels. All the same again, the slurred runs, the heavy staccato chords, the same pedalling. All the same… But different. This time, melodies bounced lightly off the brick walls. My right hand’s agile runs were smoothly contoured, fingers…

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    Woman In Art Observation

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    with a pinch of longing. To me, the instillation truly represents and expresses the feeling of wistfulness and brooding lovesickness. The gold tinsel streamers really brought a sense of old school femininity while the depressing, endless E-minor chord brought the sensation…

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    Rockin Jams

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    The way I tackle it is by breaking the song into small tiny bite sized pieces and going from there. I usually start with the chord progression, and go from there. A chord is simply a group of notes played together, and a chord progression is a sequence of chords played over and over. Chord progressions are extremely nice, but not necessary; however, not including a chord progression makes song composing much…

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