postcolonial studies on the case of Korean Chinese who are doubly dislocated and otherized, as I argue. It examines the identity of Korean Chinese as Korean ethnic minority in China and also ethnic return migrants in South Korea expressed in the literature. It explores the factors that trigger the identity crisis of Korean Chinese and constantly causing them to search for a new home. In doing so, two works written by a second-generation of Korean Chinese novelist named Hŏ Ryŏn-sun (1955-),…
for problems within the state. As a result, the people felt compelled to diverge from Buddhist beliefs and became xenophobic to those who did not abandon those beliefs. In the beginning, the Chinese citizens were accepting of this relatively new religion and philosophy. In the mid-fourth century, a “Chinese scholar” wrote that “Whosoever…serves…
fast developing world. The issue is far more complicated than it is on the first sight, and the process of is far more struggling. By analyzing the history of cosmology in China, modern society is able to not only gain a better knowledge of [-the-] Chinese, but to look at itself from a different angle.…
China has a crescent door as it is mainly found in many other pavilions along the garden. A well-known Chinese proverb states that "Individuals have distress and satisfaction; they part and meet once again. The moon diminishes or sparkles; it waxes or melts away." It is noted that Chinese people constantly relate a full moon with a contended life. This importance can be found inside a traditional Chinese garden building component called the "moon gate." This trademark moon or crescent-like door…
“There is no calamity greater than lavish desires. There is no greater guilt than discontent. And there is no greater disaster than greed.” These words spoken by Chinese Philosopher Lao Tzu accurately portray the destructive nature of the greed and the misfortune that it brings. Greed is a common theme that is woven throughout literature and frequently contributes to the down fall of a character and those in close proximity. Despite the fatality of “dragon-sickness”, there are occasions where a…
politically influenced by the Chinese through China’s system of the governing body of their nation, while also being culturally influenced by China through their religion, Buddhism and Confucianism. However, both Japan and Korea differed politically because the Korean’s followed Tributaries and the Japanese followed feudalism, and culturally because Japan followed the Zen branch of Buddhism and Korea followed the Chan branch. Korea and Japan were almost identical to the Chinese culture in…
Governments twisting religion to their benefit may sound like an unrealistic conspiracy theory, but it was frequent in Chinese history. Confucianism, a philosophy revolving around family and its importance, had been deeply rooted in Chinese ideology throughout several dynasties. However, this changed after Empress Wu Zetian redirected society to Buddhism during the Tang Dynasty. Her rule was the catalyst for a series of new religious and philosophical ideals present throughout the Song and Qing…
The Chinese during the Qing dynasty followed three main philosophies; Confucianism, Buddhism, and Taoism. The rulers were strong followers of Buddhism. However, discrimination existed heavily in the society. For example, the Manchu were not allowed to marry Han Chinese who forms the majority of the society and were considered a lower social class. Representative Confucian was the social and ethical philosophy during this era. Huang Zongxi, Wang Fuzhi, and Gu Yanwu were the three main scholars…
coexistence of different religions, the Chinese religions give a thorough illustration and explanation on how the Daoism, Buddhism, and Confucian can merge together harmoniously: as Chinese culture was influenced by Daoism, Buddhism and Confucian simultaneously, there appeared a unique religious ideology: “Three religions in one”. The three religions interacted, influenced and coexisted with the others, and this ideology became a dominant and irreplaceable part of in Chinese culture. In order to…
Title: Fantastic creature in Chinese art Introduction Fantastic creatures can be easily found in Chinese art. Those decorative motifs do not only content aesthetic value they also carry particular meanings. The origin of fantasies can be traced to traditional Chinese literature and tales. Fantasy becomes an important element in Chinese art that is with two main functions: one is they reflect human emotions, and they are symbols that carry the social values. After classified different…