Bronze sculpture

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    Camille Cadel Essay

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    analysis of this artwork, an understanding of Camille Claudel, her life, her art style, and the time that it was created will be established. La Fortune is a bronze sculpture with black platina which stands at 48cm (roughly 19 inches). The sculpture in its entirety is dark colored, but it has a glossy sheen that brightens up the image. The sculpture…

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    Located in Room 12 and 12b in the British Museum, the Mycenaean Collection provides an amazing insight into the Greek Bronze Age, The Heroic Age, and Greek Mythology legends, especially the epics written by Homer. The collection features many artifacts of red and black painted pottery, bronzes from the Geometric Period, bronze figurines, and numerous artifacts that depict the Bronze age and how the Mycenaean people used Greek Mythology to decorate many objects and create incredible works of art…

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    The first artwork that I chose was Bertel Thorvaldsen’s, Ganymede and the Eagle made between the years of 1817-1829. He finally finished the sculpture in 1829 out of marble. As I said I really admire Greek and Roman art, so this was an easy pick. The dimensions of this sculpture I would say are around height wise of 35 inches and width wise about 20. I could not find the exact measurements so that is a rough estimate. DESCRIBE: The thing I first noticed about the piece was texture and detail…

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    Although Greek sculptures were heavily influenced by early Egyptian art, the Greeks managed to develop their own style and take the sculpture to a new level, emphasizing on anatomy and human emotion. Myron (active 480-440 BCE) and Polykleitos (Polyclitus) (5th century BCE) are two artists that I believe created new innovations and "pushed the envelope" in depicting the human form. Myron was noted to be one of the greatest sculptors during the Early Classical period. He was mainly known for his…

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    was the lost-wax technique. Lost wax technique is a method of casting in which a mold is created for the wax, melted, and then drained. Classical period of sculpture was…

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    Auguste Rodin is perhaps best known for his iconic bronze sculpture The Thinker. Amongst his other works is another bronze piece titled The Vulcan’s Forge, cast in 1905. The rectangular relief sculpture features a group of five ancient Roman men smithing at a forge. The group is transfixed on their tiring task to the point that they have no connection to the world around them, nor do they have notable purpose; they are slaves to their work. Additionally, the juxtaposition of archaic subject…

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    The sculpture in Unknown #4 depicts the upper body of a middle-aged man. That the figure shows the imperfections which come with age suggests that the sculpture is of Roman origin rather than Greek. Carved from marble, the sculpture extends to the lower chest of the man, just above the solar plexus. The chest and shoulders are soft and lightly defined: the pectoral muscles are visible only as gentle contours, and the shoulders slope downwards in fleshy smoothness. The head of the figure is…

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    Group by Charles Umlauf Charles Umlauf created The Family Group sculpture in 1960. The location of the sculpture is outside of the McCombs School of Business at the University of Texas at Austin. Its green color distinguishes the sculpture from the many other sculptures around the university and from the background of the business school. Much of the evidence in the paper will come from the structure and form of the sculpture. The sculpture depicts a woman leaning on her husband showing a…

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    The sculpture is located in a hallway by itself to the left as you walk into the museum. Behind it is a glass wall that allows you to see the beautiful scenery surrounding Crystal Bridges. Many people think of Crystal Bridges as an indoor art museum, but they also many outdoor sculptures and the surrounding area adds to the beauty of it. When first arriving at Crystal Bridges you notice all of…

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    Andrea del Verrocchio during the prime of his life was a painter, sculptor, and goldsmith. He was named Andrea di Michele Cione born in the early 1430 's to father Michele Cione and mother Gemma. His change of last name is not known, and it can not be placed to any person that took him as an apprentice for his work as painter and sculptor.1 His father was a “fornaciao,” which was attributed to people that worked with kilns, bricks and tiles. Consequently, it is believed that his father may have…

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