The present part of the exhibition will focus on how the Aborigines have dealt with those effects of the Stolen Generations while working to fit in with white communities in the present day society of Australia. This relates to the development of Australian contemporary art because all of the artists that were selected for the exhibition are Aboriginal photographers. These photographers choose to document different aspects…
In “I am Australian” stanza six, line three states, “I’m Clancy on his horse, I’m Ned Kelly on the run”. Clancy is the protagonist from the iconic Australian poem Clancy of the Overflow, which describes his imagined pleasures and adventurous life as a drover and a shearer. The reference to infamous bushranger Ned Kelly again allows the listener to imagine the audacious life of the Australian “bloke”. This effective manipulation of allusion enables listeners…
is required when reading medication labels, understanding instructions, traffic signals and other practices. Commonly, Standard Australian English (SAE) is used as a first language in Australian schools (Hanlen, 2010). However, Standard Australian English is not a first language for Indigenous students and in fact the most common language spoken by Aboriginal Australians is Aboriginal English (AE). Why do we need Aboriginal and Torres Strait Islander education and how can teachers assist…
The Aboriginals faced numerous issues after the white colony dominated Australia. The predominant issues they faced were the Protection and Assimilation policies. The Protection policy detached Aboriginal people from families and traditional land the Christian missionaries and government reserves believed were unsuitable for them. The aim was to isolate by disputing them into homes, reserves or missionaries until their Aboriginal beliefs, culture and spiritualties start to diminish. The distant…
In Heart Of Darkness, Joseph Conrad discusses how the Europeans treat the native congo people. Throughout the novella imperialism is presented by the Europeans attempting to colonize the Congo region. Joseph Conrad explains the harsh exploitation of the Congo through the perspective of Marlow. Marlow sees how the natives are treated with disrespect as their rightful land is taken from them. By analyzing Heart of Darkness by Joseph Conrad through a new criticism lens, one can see that the…
Does the capital punishment appropriate to prisoners, who are not ready for dying, are forced to execute to die in front of other prisoners (or other people) without giving a chance and caring their human rights and feelings? In the 1920s, the Southeast Asian country, Burma (now known as the country in Asia, Myanmar) was the part of the British Empire. The British controlled their new land, Burma through direct rules like the implementation of a secular education system, which "was given control…
Ford 1 Raeya Ford Miss. Fleming NBE 3U1 21, November, 2017 Unhealthy Medicine Wheels In Motorcycles & Sweetgrass Medicine Wheels are a very important idea to Indigenous people throughout Canada, they can represent many things such as east, south, west, and north, or infant, youth, adult, and elder. The Indigenous people tried very hard to keep each section in balance because they believed that if they were to become unbalanced than that person was no longer healthy. In the novel…
In Obasan, Joy Kogawa highlights the emotional trauma that came with the decision by the Canadian government under Prime Minister Mackenzie King to intern immigrants of Japanese ancestry, even if they held Canadian citizenship. Kogawa is able to convey her points with the usage of flashbacks to the period between 1941 and 1949, when the interment took place while the main setting of the story takes place in 1972. Therefore, the fact that the main storyline takes place in 1972 and the book’s 1981…
psychiatric issues. These traumas such as ‘war, mass killings, torture, rape and dispossession’, may not be recognised which could create negative pressure towards the individual (Puviman). The negative impacts on the families are in the children with the Australian government…
Thancoupie World: Thancoupie is an Indigenous Australian artist with a strong Thanaquith background. Born in the late 1930’s the world in which she spent her childhood was rich in traditional customs. One of these customs was to use clay for ceremonial purposes. When Thancoupie was a young girl she knew that clay was sacred, Thancoupie said that where she grew up, ‘The men used to keep the clay in a special storehouse and we kids were not allowed to touch it’. The artist goes by her totemic name…