Atonality

Decent Essays
Improved Essays
Superior Essays
Great Essays
Brilliant Essays
    Page 1 of 2 - About 18 Essays
  • Improved Essays

    Dual Polymodality

    • 817 Words
    • 4 Pages

    Composers and scholars have not agreed on what each term exactly means, and its scope. Perhaps as a result of its wide acceptance, the term polytonality lacks accuracy as a descriptive category. Béla Bartók’s explanation of both this terms, is one of the most radically different to the rest of composers and scholars. For him, the difference relies in the amount of tonal centers. While polytonality must have two or more tonal centers with identical or different scales, polymodality needs only one tonic and different modes, as he observes To point out the essential difference between atonality, polytonality, and polymodality in a final word on this subject, we may say that atonal music offers no fundamental tone at all, polytonality offers or is supposed to offer several of them, polymodality offers a single one. Therefore, our music, I mean the new Hungarian art music, is always based on a single fundamental tone, as [much] in its entirety as in its…

    • 817 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    New German School Essay

    • 1190 Words
    • 5 Pages

    The concept of the New German School, while vague, had a huge effect on the world of music. It is a group of musicians who aimed to expand upon the legacy of Beethoven and further the German narrative. The New German School was not a set “club” or meeting group of composers. Rather, they were musicians who Franz Brendel, a philosopher whose influential writings impacted the musical sphere, grouped together and praised. The three he frequently praised on high were Hector Berlioz, Franz Liszt, and…

    • 1190 Words
    • 5 Pages
    Improved Essays
  • Improved Essays

    “If compositions as diverse as Stravinksy’s Rite of Spring, Lasso’s Prophetiae Sibyllarum, and Schoenberg’s Erwartung, Op. 17 are all ‘atonal,’ then this definition has little value…” Body A. Tonality vs. Atonality 1. Because atonality is a negative term, one must seek out the definition for what tonality is in order to define it a. In “Schoenberg and Atonality,” Charles Rosen defines tonality i. “Tonality is not, as is sometimes claimed, a system with a central note…

    • 744 Words
    • 3 Pages
    Improved Essays
  • Decent Essays

    Errlkönig Analysis

    • 394 Words
    • 2 Pages

    Berg was following in the strides of his educator, Arnold Schoenberg, by utilizing free atonality to express feelings and even the perspectives of the characters on the stage. The declaration of franticness and estrangement was opened up with atonal music. In spite of the fact that the music is atonal as in it doesn't take after the procedures of the real/minor tonality framework predominant in the West amid the Baroque, Classical, and Romantic periods, the piece is composed with different…

    • 394 Words
    • 2 Pages
    Decent Essays
  • Improved Essays

    The Twelve Tone Technique

    • 713 Words
    • 3 Pages

    The 20th century was a major turning point in the history of classical music. Tonal harmony of the Romance era have been replaced with the dissonant sounding atonality of many composers of the 20th century. The 20th century of classical music was led by Arnold Schoenberg, Igor Stravinsky, and Claude Debussy. These composers have created techniques that were unlike any other in the history of classical music. Arnold Schoenberg is known for a technique called the Twelve Tone Technique. This…

    • 713 Words
    • 3 Pages
    Improved Essays
  • Improved Essays

    It is worth mentioning that most of the quotations are from large Symphonic works of composers who were living and writing concomitantly with Mahler. Berio himself in an interview assumes the emphasis placed on 20th century music, most specifically in the last one hundred years. Although the preference for modern works points towards a post-tonal harmonic structure, the majority of quotations are of a more moderate nature, such as Stravinsky, Ravel and Debussy rather than the full-blown…

    • 331 Words
    • 2 Pages
    Improved Essays
  • Improved Essays

    works of Frédéric Chopin. These works were highly tonal and were composed in genres common for that time. Representative works from this time include his Piano Sonatas Nos. 1-3, Fantaisie in B minor, 12 Preludes Op. 8 (including No. 12 in D# minor), Symphonies 1-2, and 24 Preludes Op. 11. His Middle Period took place for around 4 years, 1903 to 1907 (Opp. 30-58) and was transitional in nature. In this time, one can observe the dissonances and hints of atonality start to make their way into…

    • 884 Words
    • 4 Pages
    Improved Essays
  • Great Essays

    Sonata V utilizes this by consolidating the sixteenth note runs in a fluctuated bass pitch. Udan Mas utilizes this by fusing the syncopated sixteenth notes and the melody at the same time. Tonality and Harmony are both basic elements while analyzing Sonata V and Udan Mas. The main trademark is their "non-western" tone. A western performer might consider this piece to be "unusual" or conflicting in pitch. This is because of the distinction in tuning. A Gamelan is tuned inside of itself and not to…

    • 1232 Words
    • 5 Pages
    Great Essays
  • Improved Essays

    Music Theory

    • 644 Words
    • 3 Pages

    knowledge and familiarity on the subjects, music is a vastly more rewarding experience when you know how to listen actively. By becoming aware of the five fundamental disciplines within a musical composition, it is possible to open your ears to a piece of music and hear the beauty within that might have otherwise gone unnoticed. Music Theory Music theory teaches musicians how to read and write music. Music theory encompasses melodic elements such as major and minor scales, chords, chord…

    • 644 Words
    • 3 Pages
    Improved Essays
  • Improved Essays

    cadence evokes emotional tension and desire in the music, which parallels the words and actions that are going on on stage. To aid in the sound he wanted to produce, Wagner had a performance venue created, known as the Festspielhaus, in the town of Bayreuth. With state of the art stage facilities, and having the orchestra placed underneath the stage, Wagner was able to utilize the whole stage for action as well as blend the orchestra sound with the singers. Wagner’s ideas and practices would…

    • 899 Words
    • 4 Pages
    Improved Essays
  • Previous
    Page 1 2