Amedeo Modigliani

Modigliani Amedeo Modigliani was an Italian Jewish painter and sculptor who never was successful during his lifetime. He mainly worked in Paris and his main subject was portraits and full figures of humans. He is known for portraying nude women in a modern style. In Paris, he met prominent Artist’s such as Pablo Picasso and Constantin Brancusi. The movie basically covers his life in Paris, centering on his relationship with Picasso and his lover Jeanne. In this movie, Modigliani is being masterfully depicted by Andy Garcia. The Movie begins with the sad face of Jeanne Hebuterne (Elsa Zylberstein), the woman Modigliani fell in love with. She starts to talk about love and asks the audience if they ever experienced real love. She is so sorrowful with spiritless eyes. Modigliani is portrayed as a very talented and handsome man, flirting with Jeanne, a Catholic woman. Despite his talent, his artwork was not received well and he lived in poverty, addicted to alcohol. Jeanne posed for him in his small studio, and after some time they fall in love. He did not paint like other artists, he had his own way of painting. His style is characterized by elongation of objects, and he states that he won’t paint Jeanne eyes before he understands her soul fully. He loved art and could get completely immersed in…

began, one of which influenced Amedeo Modigliani, who was a Post-impressionist that painted and sculpted with hints of symbolism. The era led this artist into the twentieth century, where he lived in one of the major epicenters of the modern art movement in Italy. Amedeo Modigliani painted and sculpted numerous pieces of art, one of the most famous pieces being Anna Zborowska. Humans are most commonly products of their era and culture. During the late 1800’s and early 1900’s, the era of modern…

Modigliani and Miller (1958) provided a new theory of capital structure, suggesting that a firm’s choice between debt and equity has no impact on the firm’s value. This became known as irrelevance theorem. However, this theory is surrounded by a number of assumptions that can be analyzed in turn. The first assumption from Modigliani and Miller (1958) is that firms operate within a perfect capital market. The perfect capital market is defined by Fabozzi, Neave and Zhou (2012, p 87). Firstly,…

Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Zvantseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a…