African diaspora

The Blues: A Door for African Americans’ Identity Langston Hughes’ “The Weary Blues” is a well-formed poem, which reflects the painful history yet rich culture of African American people during the Harlem Renaissance. The message of the poem can be seen in the last line when the speaker says, “he slept like a rock or a man that’s dead.” (35). This implies that the musician in the poem is so passionate towards his music that only his music labels him. What I mean is if the musician stops playing…

they may be challenged, most are allowed to stand alone without much criticism, or scrutiny. On the contrary, African Americans have a unique experience that has yet to be closely identical to that of any other cultural group. African Americans are constantly under scrutiny, even as far as debating on whether or not our label should read “African American.” Whether referred to as African American, Black, Afrikan, or any other title, Black people have struggled over what is to be preferred in…

Studies. According to John Clarke, he describes through Saunders Redding, theory on how history has played a major part in the academic perspective on Black Studies. A history first distorted when the Europeans first travel and kidnapped thousands of African for enslavement. The study was to revamp the studies for Black Studies and to focus on the long historical roots that many western societies used to justify the enslavement and colonial system to do. As students, we first are introducing to…

information through the word of mouth. There is the use of the folklore in the black vernacular used in the throughout the play to broach important issues and also conflicts such as the poverty, discrimination and also the very construction of the African American identity. To start with is the title of the play, A Raisin in the sun. a line that was from 1951, in the Langston Hughes's famous poem "Harlem: A Dream Deferred". A black poet whose voice was heard through…

tiers rise from the base, and tour over museumgoers. The distinctive architecture of the National Museum of African American History and Culture is inspired by the three-tiered crown motif portrayed in Yoruban art. Within the museum, artifacts are displayed over five floors of galleries. The exhibits are placed in chronological order, the basement addressing the early beginnings of the African slave trade and the second floor, which concludes the history section, addressing the black lives…

Andrea Burns book From Store Front to Monument: Tracing the Public History of the Black Museum Movement is a fascinating interpretation of the development of the African- American Museums. Her argument that in order to understand the development of African- American Museums it is important to first look at where these museums were built and the goals in which the embodied; “Understanding the origins of this evolution helps us contextualize and historicize black public history, from its modest…

reflected the lives of the African Americans around him during the time of the Harlem Renaissance, and also the history that they all shared in Africa. The Harlem Renaissance was a time of revival for traditional African culture and a push for racial equality across in the community of Harlem, a mostly black neighborhood in New York City. The time was filled with musical invention and African traditions reborn. The new sounds of jazz and the blues filled the air and African Americans celebrated…

It was rough being African American in a time like the 1940’s, especially in the United States. Langston Hughes, however, knew how to turn those hardships into poetry. Hughes was a strong believer of equality, and he expressed this in his poems. Because he grew up as an African American during the time of segregation in the United States and not only saw but experienced first hand the many acts of unkindness done to African Americans, Langston Hughes’s “I, Too” has a universal theme of racial…

intentions behind the dehumanization of African people. Furthermore, the use of Ebonics in literature highlights this defiance and persistence. In Their Eyes Were Watching God, Hurston paints the picture of displaced descendants of enslaved Africans lacking their native tongue in the color of their innovative vibrant language (Ebonics). In her use of Ebonics, Hurston promotes the value of African American language while adequately displaying the complexity of African American cultural. In doing…

Conclusion Often when critics read Octavia Butler’s Kindred, the focus of the novel is often on the bodies of the black people who lived during this era. However, the narrative itself is fascinating in the way it confronts history in order to deconstruct it and rebuild it. Dana’s journey to antebellum Maryland enables the reader to take a new look at the characters they thought they knew, like Sarah’s role as the “mammy.” Butler’s blending of the Neo-slave narrative genre and Fantasy allows her…