Accompaniment

Various prominent cells of the motive are articulated, particularly the interval of the major 3rd, which is passed around in various registers. At 2:19 a cell of the motive is used as an accompaniment figure in the L.H. At 3:35 the fuller melody returns in several tessituras. At 3:56 a small apotheosis of the theme occurs. At 6:23 a key change signals a more straightforward return of the entire melody, which soon fragments again. An unexpected entrance occurs at 8:12, where the motive makes a brief entrance, followed by further fragmentation. At 8:42 a melodic cell becomes an octotonic accompaniment pattern in the R.H., accompanying the motive in the L.H. Hints of the motive return around 11:23; then those hints solidify into clearer statements around 11:37, culminating in a full recap of the theme at…

Joe Smith’s cornet accompaniment relates to Fletcher Henderson’s piano accompaniment by that they both focus on supporting Bessie Smith rather than over powering her voice. This is because blues is more of vocal genre, in the song I noticed that what was being sung and the lyrics was what was dominantly heard. For me, I tended to concentrate on what melody on the song and tone of her voice rather than the instruments playing. Both the cornet and piano accompaniment exemplified the practice of…

is sing by 4 people who are one lead singer and tree vocal accompaniment. This song is about a love story, whole music is in a brisk mood. The lead singer was sing the whole story and accompany were flow the lead singer, deeper voice and with the rhythm of doo and sh- boom. However the main musical instrument is guitar. Shake rattle and roll by Jor Tumer is type of rock and roll. Whole music is solo by a male singer who is Jor Tumer. The music with the dynamic male voice which is kind uses…

Theme 1 is the fundamental manifestation of the minor tonality of this work. Additionally the takes on an undulating form in the second phrase towards the end of the theme. To duration the movement is manipulated by its marking as Allegro and is characterised by staccato minim then crotchet melody followed by an answering dotted quaver rhythm that perfectly provides a lyrical answer to the stark chords of the first phrase and is then followed by quaver, crotchet and minim melodies that lead into…

Opus 11, mvt 1, mm. 1-5 The piano accompaniment has a I chord tremolo in the key of E-flat in m. 1 to begin the concerto. Then the horn has the opening statement as seen in Example 1. This is uncharacteristic because traditionally the orchestra presents the theme and the soloist reiterates it. The accompaniment echoes this opening motive several times throughout the next several measures. The accompaniment part introduces some triplet figures for the first time in m. 21, 25, and 26. This…

Though failure is common, there are a few who have succeeded in making it their own. One such group is Nightwish. Nightwish takes this song, which was originally a rock song and turns it into a rock’n’roll song. The song shifts from an ethereal timbre to a dramatic, desperate struggling timbre. The main cause of this shift is the instrumental accompaniment taking a larger role in Nightwish’s cover. In the original version the song nicely balanced both the lyrics and the accompaniment, but…

In the Concert, there are five dance performances, including two solos and three dance groups. The first dance “Between” is accompanied by five girls with a sad wind viola accompaniment. The second dance “Acquiescence” is a girl’s solo dance with a cheerful music. The third paragraph of the dance “Arcadia” is a group dance with a few girls on stage put on a watch look for the opening. The fourth dance “How about, I try” is a solo dance. At the opening, a girl runs on the stage in a brisk…

sometimes with accompaniment on his left hand with chords and harmonies. This album was recorded by Vic Keary at Chalk Farm Studios in London in June 1977. It was produce by Tony Engle and the CD was designed by Mr. Suff. This album was recorded to capture the power of the instrument accordion, as a rather important instrument that brings out Irish traditional music in Ireland. Jackie Daly was known as one of the very important and best accordion player in Ireland for greater than four decades…

had different emotions for the individual pieces were I felt at ease, delighted, and anxious with a dynamic feeling when the pieces go fast paced. This time I remembered the fast parts since I expected than the other first concert. The most memorable was Moonlight, presto movement. For the chamber groups they projected a playful vibe between each other enjoying when it alternates to one another. For the soloists, it was really powerful and seeing Dr. Sung Ae Lee move more than usual. The…

done through the use of new sounds, or in other words styles, for the public to hear. One very famous sound was the English sound. There were many examples of the English sound during the Renaissance, for example a piece by John Dunstable; Quam pulchra es (Atlas). This piece was done mostly with voices. Some versions have had instrumental accompaniment, but it was designed for voices to make the sound. Voices were used in music very often in the Renaissance and, to most people, more important…