Traditional identity politics were premised on a veritable quagmire to create a singular space while ignoring one’s fluid and shifting positions within a complicated nexus of gender, race, religious, cultural, sexual and nationalist positionings. But more recent (and complex) cultural identity politics has gained ground as a matter of Becoming as well as of Being. Authentic identity has become a matter of choice, disposition, relevance and a feeling of rightness. It defines itself through a…
In October of 2015, the RISD Museum showcased the work of two Turner Prize winning artists, Martin Boyce and Luke Fowler: Boyce’s work as a four-month exhibit of primarily sculpture and Fowler’s as a single screening of his film All Divided Selves. The two artists are contemporaries both living in Glasgow, but their similarities go beyond generation and nationality; they both present everyday reality in a way that makes us question our assumptions, while suggesting undertones of fear and…
there is evidence of my expansion of sensory detail through the revisions I made of my writings. In my revised memoir version, I have examples of my immense improvement in sensory detail use, including, “....Imagine yourself being a small animal, desperately trying to find a place to hide from these huge machines,…
The oppression of groups by way of law is a mainstay method of population suppression. When individuals are confronted by unjust laws they, for the most part, act in accordance to their self-interest. As a result, those that are oppressed use the law their advantage to combat their oppressors. This can range from civil disobedience when necessary, as enacted by Rev. Dr. Martin Luther King Jr. Or by breaking the unjust laws in a brash manner, quickly bringing attention to the creeping injustice,…
Bricks: The Influence of Space on Identity ‘In Hebrew culture throughout the ages, the Land of Israel has been perceived and depicted as the center, the homeland of the Jewish nation, and the role of the land in the Zionist narrative has been pivotal.13’ (Weiss 2015: 61). From this description of Israel, it is clear to understand why the theme of home is important to the development of identity in both When I Lived in Modern Times and A Pigeon and A Boy. In this chapter, the title ‘Bricks’…
orientation- it is just natural. But an organisation like the Church say through its doctrine would undermine humanity by successfully teaching shame about sexual orientation - that it is sinful, or that it offends God. The song is about asserting yourself and…
if you aren't queer, sharing information and listening to the discussion is a great way to show your support for the community. There is no reason to sit back and take what the media throws at you. Fight back. Share your stories. Take back your narrative. Now is the best time to start planting seeds for the future. Put on your gardening gloves and get to work. Yours…
This is one of the biggest differences between traditional rhetoric and invitational rhetoric since equity is key in invitational rhetoric. When observing invitational rhetoric the rhetor does not use narrative to persuade their audience because agreement is not the end goal, instead they use narrative as an aid to get their viewpoint across, “It is presented in offering for the purpose of articulating a viewpoint but not as a means to increase the likelihood of the audience’s adherence to that…
Other examples of Grandmother Fa’s knowledge of traditional beliefs are evident in “Honor To Us All.” Grandmother Fa’s verse explains how an apple will grant Mulan serenity, a pendant will give her balance, and jade will bring her beauty. Also, Grandmother Fa reiterates the cricket’s luck and jokes how with Cri-Kee “even [Mulan] can’t blow it.” Another example of Grandmother Fa’s comic relief is when she disagrees with the Matchmaker’s initial impression of Mulan, “Who spit in her bean curd?”…
Flannery O’Connor, the prolific American writer, has covered quite a bit of ground in her body of work. She focuses on the South, exploring its cultural norms and social dynamics. But all her forays into life in the Post-Bellum South center around one thing: God. O’Connor works Christian values (or the lack thereof) into nearly all of her stories, especially the ones we have read in class. The author is committed to a very particular strain of Catholicism, and seems to dole out punishment to…