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38 Cards in this Set
- Front
- Back
a space may be contained within the volume of a larger space |
SPACE WITHIN A SPACE |
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The field of a space may overlap the volume of another space. |
INTERLOCKING SPACE |
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Two spaces may abut each other or share a common border. |
ADJACENT SPACE |
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Two spaces may rely on an intermediary space for their relationship |
SPACES LINKED BY A COMMON SPACE |
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A central, dominant space about which a number of secondary spaces are grouped |
CENTRALIZED ORGANIZATION |
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A linear sequence of repetitive spaces |
LINEAR ORGANIZATION |
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A central space from which linear organizations of space extend in a radial manner |
RADIAL ORGANIZATION |
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Spaces grouped by proximity or the sharing of a common visual trait or relationship |
CLUSTERED ORGANIZATION |
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Spaces organized within the field of a structural grid or other three-dimensional framework |
GRID ORGANIZATION |
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can be conceived as the perceptual thread that links the spaces of a building, or any series of interior or exterior spaces, together. |
PATH |
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we move in ______ through a ______ of _______ |
TIME, SEQUENCE, SPACE |
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circulation element, distant view |
APPROACH |
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from outside to inside |
entrance |
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the sequence of space |
CIRCULATION OF PATH |
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edges nodes and termination of path |
PATH SPACE RELATIONSHIP |
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CORRIDORS HALLS GALLERIES STAIRWAYS AND ROOMS |
FORM OF THE CIRCULATION SPACE |
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leads directly to the entrance of a building along a straight, axial path. The visual goal that terminates the approach is clear; it may be the entire front facade of a building or an elaborated entrance within the plane. |
FRONTAL APPROACH |
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enhances the effect of perspective on the front facade and form of a building. The path can be redirected one or more times to delay and prolong the sequenceof the approach. if a building 8s approached at an extreme angle, itsentrance can project beyond its facade to be more clearly visible. |
OBLIQUE |
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QSPMPOHTUIFTFRVFODFPGUIFBQQSPBDIBOE emphasizes the three-dimensional form of a building as we move around its perimeter. The building entrance might be viewed intermittently during the approach to clarify its position or it may be hidden until the point of arrival. |
SPIRAL |
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All paths are linear. A straight path, however, can be curvilinear or segmented, intersect other paths, have branches, or form a loop |
LINEAR CONFIG |
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has linear paths extending from or terminating at a central, common point. |
RADIAL CONFIG |
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configuration is a single, continuous path that originates from a central point, revolves around it, and becomes increasingly distant from it. |
SPIRAL CONFIG |
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configuration consists of two sets of parallel paths that intersect at regular intervals and create square or rectangular fields of space. |
GRID CONFIG |
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configuration consists of paths that connect established points in space. |
NETWORK CONFIG |
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THEORIES OF PROPORTION |
GOLDEN RATIO CLASSICALORDER RENAISSANCE THEORIES MODULAR KEN ANTHROPOMETRY SCALE |
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If the diagonals of two rectangles are either parallel or perpendicular to each other, they indicate that the two rectangles have similar proportions. These diagonals, as well as lines that indicate the common alignment of elements, are called |
REGULATING LINES |
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traditional japanese unit of neasure |
SHAKY |
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A special field that has developed from a concern with human factors is |
ergonomics |
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the size or proportion an element appears to have relative to other elements of known or assumed size. |
visual scale |
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the size or proportion of something relative to an accepted standard of measurement. |
mech scale |
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scale in architecture is based on the dimensions and proportions of the human body. |
HUMAN SCALE |
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OP A line established by two points in space, about which forms and spaces can be arranged in a symmetrical or balanced manner. |
AXIS |
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OP The balanced distribution and arrangement of equivalent forms and spaces on opposite sides of a dividing line or plane, or about a center or axis. |
SYMMETRY |
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OP The articulation of the importance or significance of a form or space by its size, shape, or placement relative to the other forms and spaces of the organization. |
HEIRARCHY |
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unifying movement characterized by a patterned repetition or alternation of formal elements or motifs in the same or a modified form. |
RYTHYM |
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A line, plane, or volume that, by its continuity and regularity, serves to gather, measure, and organize a pattern of forms and spaces. |
DATUM |
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The principle that an architectural concept, structure, or organization can be altered through a series of discrete manipulations and permutations in response to a specific context or set of conditions without a loss of identity or concept. |
TRANSFORMATION |
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ORDERING PINCIPLES |
ASHRDT AXIS SYMMETRY HEIRARCHY RHYTHM DATUM TRANSACTION |