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110 Cards in this Set

  • Front
  • Back
Producer
Person who secures the funding and has control of the show,
Artistic Director
May direct the show in charge of oversight of all artistic decisions of the theatre
Managing Director
Governs the money end of the theatre
Development
??
Marketing
Adverting,social networking, T.V. Magazine's newspapers ect. Makes sure the public knows about the production.
Company Manager
Tends to the creature comforts of the artist, making sure that the actor (s) have the things that makes life as normal as possible and comfortable while away from home
Box Office Staff
Should be people friendly, know about the the work and able to express to the consumer what is being presented
House manager
over sees the house deals with the comfort of the patron's
Usher
Helps to guide the patrons to their seats and hands out programs to the patrons. Looks out for any problems
Playwright
creates the dialog of the literature
Director
guides the movement with in the physical movement of the play, responsible for the concept of the show. His name is associated with the play.
Actors
portray the work of the playwright telling the story as a living part of art.
Production Manager
over sees al the production elements, seasons, scheduling, lighting and tech areas.
Stage Manager
is the hub of communication keeping all in touch with each group of people, is the only one who is there from the very first to the very end.
Prompt book
a copy of the script with details about each actor's blocking as well as the location of all sets,props, lights and sound cues.
Call the show
to tell specific action, also know as a bit, preformed by an actor during the play
Rehearsal vs tech/run
Tech run: run through of the play with what includes the scene's and props no actors are included unless a part of the prop.
Rehearsal: actual run through of the play with actors and props and scenes.
Backstage Etiquette
your job is your focus, no horse play, no extreme talking, ect.
Stage crew
various individuals that is supporting back stage activity
Shift
scene change, moving prots..
Wardrobe
make sure clothing is ready for the actors, help the actors to get in to wardrobe and help with make-up, help with quick changes and emergency repair
Light Board Operator
Should the computer fail, should know and understand how the light board operates, know and understand how to manually dim and brighten the lights.
Spot Operator
operate the spot light, they end up being a part of the show having to following the actors in a smooth fashion
Sound Operator
Operates the sound board, must understand and know how the sound board works.
Scenic Designer
design all sets, creates the physical world of the play
Lighting Designer
determine how they are going to light the physical light of the world of the play
Make up Designer
will determine how the actor will be seen, all parts of the actor that will be in the scene.
Hair Designers
will determine how the actor will be seen in accordance to the how the actor will look.
Sound Designer
determines what will be heard by the audience with in the play, music, sound effects ect.
Projections Designer
determines the line video feed on stage. where cameras will be positioned to get the action
Technical Designer
in charge of the scenery for the physical world of the play and will over see the painting of the scene
Scene Shop Foreman
oversees the shop
Carpenter
constructs what is designed rather it is out of wood or plastic, what ever it takes to get the effect.
Paint Charge/ Scene Artist
oversee how the scene is painted
Property Master/Manager
Tends to the loose items that are easily picked up and moved.
Master Electrician
Make sure lighting is cabled and focused and maintained for the play
Electrician
supports staff for the Master electrician
Costume Shop Supervisor
over sees the construction of the costumes.
Costume Crew
include: Draper, Cutter, First hand (the one doing the cutting) stitcher, Dyer, painter, millner (shoes), wig-master.
Audio Engineer
support sound designer and maintain the equipment
Projectionist
?
Production Team
everyone working on the production
Production Design Team
Include: Designers, Director and Producer
Production Sequence
Script or idea development
Concept meetings
Design
Construction Rehearsal
Load in
Technical Rehearsals
Previews
Opening
Test Question: Good Communication is Essential for a good
Production
Concept Meetings:
Production Concept:
how will the idea be approached.
Design (phase)
Set Design
Costume Design
Lighting Design
Sound Design
Projection Design
Set Design: includes
Ground plans
elevations
model
rendering
Ground plans
a picture looking down at the space an locates the furnishings
Elevations:
vertical picture of what is seen
Model
3D representation to scale
Rendering
3D representation of a 2D piece of paper
Costume Rendering
drawing giving 3D view of costume on a 2D paper will include swatches of fab most times.
Light plot
gets developed on top of the drawing to see where lights are to be best placed
Hook up (channel hook up)
paper works like a spread sheet, info of channels by where dimmers are to be place, is what doest he action of making light brighter or dimmer.
Sound Plot:
2 types
1) physical layout of how we are going to tun the system
2) list of all the sounds through the show
Projection Design:
2 types
1) physical lay out of equipment
2) List of all projections given
Construction Rehearsal
Blocking:
Working through the play physical, called staging and blocking. working on chartor development and perfecting the flow of the play
Load-in
physical bring the tech elements in to the space where the play is to be preformed.
Technical Rehearsals include:
Shift Rehearsal
Cue
Paper Tech
Cue to Cue or Dry tech
Dress Rehearsals
Shift Rehearsals
working through the movement of the scenes does not include the actors unless they are a part of the physical movement of the scenes
Types of Cue's
Lighting
Sound
Project
Paper Tech
layout the cue for production on paper no physical action on stage put in a book for all to keep cue and put in the prompt book
Cue to Cue
?
Dress Rehearsals:
run show in costume, practice run in full costume making sure all runs smoothly
Previews:
run of show with audience (not opening) can still make changes to show at this time.
Opening:
every thing is locked in place and nothing can be changed at this time, includes a live audience (Paid full ticked price)
On test: The design process is a method for finding answers to
questions
Design Process includes:
Commitment
Analysis
Research
incubation
Selection
Implementation
Evaluation
Commitment
if commented tot he show you are facing challenges not problems, if the other way around you do not need to be there.
Analysis:
Read play many times,
1) read for fun
2) look at whats in the play look for moments and beats (rhythm) of the play
3) mechanical items.
during this time we need to question and be questioned, and design team must relay information they want to get across to the group
Research:
Background
Conceptual
be open to ideas of another team mate and thing around you.
going to the place that the setting may be coming out of...
Incubation
Rest period, time away to allow idea's to develop
Selection
choices made and able to commutate these ideas.
Implementation
finished design work how these changes will work and move the work forward.
Evaluation:
Evaluate every step and along the way consider along the way how you are processing, understand the process and how you can improve the next production.
Style
specific compositional characteristics that distinguish the appearance of one type of design from another: for example, realism, expressionism, surrealism, and so forth.
Production Style
a recognizable pattern of elements, both visual and intellectual, based on social and political history, used to create the environment for the production of a particular play
Design Styles and periods
indicate the major stylistic elements that are common during a particular period of time.
Stylization
the use of specific compositional elements characteristic of a particular style or period that create the essence of that style or period
Literary Style and theatrical design
style in which a script is written provides major clues for the designer
Line
a mark that connects two points
Shape
any line that closes a space creates a shape.
Mass
is the three-dimensional manifestation of shape
Measure
the ability to judge the size of objects and the relative distance between them with out the aid of measuring devices.
Position
the relative location of adjacent shapes of masses.
Unity
the creation of a stylistic plan to which all parts of the design subscribe.
Harmony
the sense of blending and unity that is obtained when all elements of a design fit together to create an orderly, congruous whole.
Contrast
in composition can be defined as the juxtaposition of dissimilar design elements.
Variation
allows visual interest in the whole deign is heightened.
Balance
achieved by arranging the design elements to give a sense of restfulness, stability, or asymmetrical
Proportion
involves the harmonious relationship of the parts of an object to each other or to the whole.
Emphasis
involves directing the audience's attention to a specific place.
Symmetrical balance
Correspondence in size, form, and relative position of parts on either side of a center dividing line: mirror image balance.
Asymmetrical balance
A sense of equipoise achieved through dynamic tension created by the juxtaposition of dissimilar design elements.
Acting Area
those areas of the stage on which specific scenes, or parts of scenes, are played.
Color
a perception created in the brain as a result of stimulation of the retina by light waves of a certain length.
Hue
is the quality that differentiates one color from another, such as blue from green or red from yellow
Saturation or Chroma
refers to the amount centage, of a particular hue in a color mixture
Value
The relative lightness or darkness of a color is referred to as value. Pale blue has a high value, and dark brown has a low value.
Tint
a color with a high value is referred to as a tint. It is usually achieved by mixing a hue with either white pigment or white light.
Shade
a color with a low value is know as a shade. It is usually created by a mixture of one or more hues and black.
Tone
A color of middle value, it is a mixture of a hue with black and white.
Complementary
two hues, that when combined, yield white in light or black in pigment colors that are opposite each other on the color wheel.
Primary colors
are those hues that cannot be derived or blended from any other hues. such as red blue, yellow
Secondary colors
hues that are a result of mixing two primary colors, such as purple green orange.
Pigment
a material that imparts color to a paint or die
Subtractive color mixing
If the glass in the window is coloree, another type of filtering takes place. Colored filters allows only their own hue to pass through the filtering medium: they absorb all other wavelengths of light.
Neutralization
Subtractive color mixing the selective absorption of light as the result of mixing complementary pigment hues the creation of gray
Additive color mixing
when several individual hues are transmitted to an overlapped to created a desired color.