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103 Cards in this Set
- Front
- Back
thespis |
first performer out of the chorus |
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tetralogy |
3 tragedies and a satyr play |
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harmartia |
character flaw yo |
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hubris |
excessive pride |
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pathos |
calamity |
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agnorisis |
recognition |
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Peripeteia |
reversal |
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catharsis |
releasing of emotional tension |
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prologos |
opening scene & exposition |
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parados |
when the chorus enters |
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Greek tragedy structure |
prologos, parados, alternating episodes, exodus |
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old-ass comedies |
more freedom in speech, more extreme exaggeration, obscene humor. |
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agon |
debate between 2 forces |
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parabasis |
breaking 4th wall |
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komos |
choral dancing |
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old comedy structure |
prologos, agon, parabasis, komos |
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content of new comedies |
private & domestic issues, stock characters, 5 acts, less outspoken. |
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fabula togata |
comedies in Roman dress |
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fabula palliata |
comedies based on Greek subjects |
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Fabula CREPIDATA |
roman adaptations of Greek tragedies |
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Fabula praetexta |
roman tragedies |
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psychomachia |
good & evil struggle for the soul of the individual |
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ars moriendi |
art of dying well |
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episodic literature |
locale shifts are abrupt, genres are mixed, not one single plot |
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climactic literature |
plot begins near climax, limited to one place, few major characters |
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anachronistic |
set outside of historical and chronological time. Play is in God's time. |
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miracle plays |
about saints and martyrs |
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mystery / cycle plays |
biblical stories |
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italian renaissance drama types |
comedy tragedy, pastoral drama (rural shenanigans), religious dramas |
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pleiade |
french academy to standardize literature, founded by Cardinal richelieu. |
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Rules of Horace |
Decorum, verisimilitude, unities of time place & action, five acts, didactic drama, no violence, soliloquies, chorus, deux ex machina, genre mixing. |
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loa |
allegorical prologue |
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auto sacramentales |
supported by church, can be about anything as long as the church is game. |
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carros |
pageant wagons |
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entremeses |
short plays between spanish comedies |
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Aristotle's god poetics |
plot, character, thought, dialogue, melody, spectacle |
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atellen farce |
Roman improv like Commedia del Arte |
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sacra rappresentazioni |
biblical stories from italian renaizzance |
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JC Scaliger |
characters should approximate reality, move & delight, everyone dance, Italian |
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L. Castelvetro |
codifie units of time, place and action. Theatre was to please the ignorant masses. |
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A.S. Minturno |
De Poetica, tragedy as means of moral instruction & spiritual cleansing. Made opera. |
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aeschylus |
reduced chorus, second actor, tetralogy, scenic decorations. |
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Sophocles |
third actor, individuals over families, idealized men, won Dionysia like a million times. |
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Euripides |
first realist, covered reality. |
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plautus |
Roman spit on greek models. added song to mananders spit. |
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terence |
accused of plagarism, comedy as means of moral instruction |
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seneca |
based tragedies on Greek myth, characters obsessed w/ one emotion, 5 episodes w/ choral odes |
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Ben Jonson |
Poet laureate of England, wrote masques and anti-masques for the court of James I, developed comedy of humors |
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comedy of humors |
each principal character has an excess of one trait or humor: blood, phlegm, yellow bile, and black bile. |
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John Webster |
1 writer = 1 scene, successful cuz The White Devil and The Dutchess of malfi |
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Jean Racine |
French, loved Greece, invented the alexandrine, super neoclassical |
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claque |
hired group of applauders to make or break a work |
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Pierre Corneille |
French classical tragic theater, didn't conform to anyones bull. |
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moliere |
father of french comedy, touring company, commedia dell'arte, tartugfeflen |
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Sor Juana Inez de la Cruz |
3 autos, baroque poetry, 32 loas, was a woman in a convent. |
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Pedro Calderon de la Barca |
La Vida es Sueno, fate, mostly for court but some public. Cape and sword, love and honor plays, lots took a while to be unpublished. |
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lope de Vega |
first professional playwright, New Art for Writing Plays of Our Time. |
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archon |
gov official selecte by lot to manage City Dionysus |
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choragus |
first producer for each playwright that also helped with personell. |
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chorodidaskos |
choral trainer |
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theatron |
audience seating |
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orchestra |
dance space for chorus |
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thymele |
altar for making sacrifices |
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skene |
wooden bldng behind orchestra for dressing, storage, and masking of sp. effects. |
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proskenion/paraskenion |
facade and projecting sides of the skene which provided background scenery and a platform for the actors. |
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episkenion |
eventual second floor |
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aediles |
roman magistrates |
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dominus |
lead actor and director of a troupe of players |
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cavea |
audience seating complete with awning (velum) and cooling fan |
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orchestra |
half seats for gov officials, half sea battles. |
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scaena w/ pulpitum |
roofed bldng behind the orchestra for dressing, storage, and masking. 2-3 stories high. |
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auleum |
curtains |
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scanea frons |
ornate front of scanea |
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vomitorium |
tunnel entryway connecting cavea to scaena and allowed patrons to access specific seating areas. |
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sebastiano serlio |
architettura |
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tragic backgrounds |
shows a street of stately houses |
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comic |
shows a street scene |
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pastoral |
shows trees, hills and cottages |
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aristotile de san gallo |
periaktoi, three-sided thing on a central axis |
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niccola sabbatini |
manual for constructing theatrical scenes and machines, Ceil du Prince, |
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giovan Battista Aleotti |
flat wing and groove system |
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pole and chariot system |
moves those flats around |
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teatro olimpico |
first indoor theatre of the Renaissance fashioned after Roman architecture. Scamozzi |
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teatro farnese |
first proscenium stage, aleotti. |
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Inigio Jones |
influenced by Italians, brought their spit over here. |
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confrerie |
produced religious drama, Hotel de Bourgogne |
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palais cardinal (royal) |
first court teatre to use a permanent proscenium arch and had a stage design for flat wings, changed w/ pole and chariot system. |
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corrales |
Elizabethan tiring house, built in existing courtyards |
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corral de la cruz |
first permanent public theatre |
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el coliseo de Buen Retiro |
first permanent theatre in a court palace |
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early opera |
Greek and biblical events |
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grand opera |
emotional limits of human behavior. Greek performance plus music. |
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angelo beolco |
killjoy author serious dude |
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andrea calmo |
old man pants |
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lazzi |
physical comedy |
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pantalone |
big pants |
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il dottore |
speaks with pompous air expecting full attn. doctor. |
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il capitano |
captain, stranger looking for money and a wife. Coward but not physically weak. |
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arlecchino |
simpleton. Shaggy. |
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brighella |
brawler. Gangster. |
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pierrot |
baby man? |
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pulcinella |
chick |
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servetta |
rational maid |