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56 Cards in this Set
- Front
- Back
genre
|
type of literature
|
|
form
|
category
|
|
classical
|
of the ancient Greek/Roman
|
|
Elizabethan/Jacobean playwrights
|
Marlow & Shakespeare
|
|
modern
|
late 19th century (1880's +)
|
|
post-modernism
|
new view on modernism
|
|
structure
|
physical composition of work
|
|
style
|
tone/manner of playwright
|
|
black comedy
|
dark humor, about taboo
|
|
high comedy
|
idea
|
|
medium comedies (in order)
|
language
manners situation |
|
prose
|
everyday speech
|
|
verse
|
poem
|
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paradigm
|
perfect model
|
|
melodrama
|
good vs. evil
|
|
drama
|
serious play
|
|
classic
|
defining, paradigmatic
iconic |
|
iconic
|
representative
|
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hamartia
|
tragic flaw
|
|
hubris
|
excessive pride
|
|
Aristotelian
|
of the philosophy of Aristotle
|
|
superstition & myth
|
other people's religions
|
|
Miracle play
|
about lives of saints
|
|
Mystery play
|
from the bible
|
|
Morality play
|
play about humanity
|
|
Neoclassicism
|
after french revolution, went back to the classics
|
|
protagonist
|
the one the story centers around
|
|
antagonist
|
opposed to protagonist
|
|
agon
|
contest/struggle
|
|
how to determine protagonist
|
title
lines change ? |
|
norm
|
usually a character/group
voice feelings of writer |
|
catalyst
|
gets the play going
|
|
irony
|
what is predicted does not happen
|
|
dramatic irony
|
when the audience knows something the character does not
|
|
antihero
|
someone who is not good but still liked
|
|
point of attack
colliding factor inciting action |
when the protagonist and antagonist first butt heads
|
|
recognition scene
|
when the protagonist realizes that they are wrong and must change their course of action
|
|
obligatory scene
|
show down between protagonist and antagonist
author is obligated to show us |
|
denouement
|
justification
|
|
tragedy
|
an act which is serious and causes fear and pity and we experience purgation
usually has scapegoat |
|
realism
|
an attempt to create the illusion of reality
written in prose |
|
naturalism
|
1) an attempt to create reality on stage
2) man is determined by nature (predetermination) |
|
expressionism
|
examination of the psyche
|
|
theatricalism
|
uses theatre as a metaphor
|
|
symbolism
|
overt use of symbols to find common meaning or truth
|
|
dadaism
|
iconoclastic anti-art; rejection of everything before
|
|
surrealism
|
the examination of the psychedelic
|
|
absurdism
|
random events with no purpose
|
|
epic theatre
|
political--covering vast periods of times & places
|
|
classicism
|
using the classical method
|
|
aesthete
|
studies aesthetics
|
|
Aristotelian Principles of the Drama
|
Plot
Idea Spectacle Character Language Music |
|
Tetrology
|
3 tragedies
Satyr |
|
Extant
|
remaining
|
|
Deus ex machina
|
god of the machine
a contrived ending |
|
Unities of theatre
|
1. time (24 hours)
2. place (single locale) 3. action (single plot) |