Survey Of Music Lit - Final Exam -Part 2

Front 1

What was the texture of Greek music

Back 1

monophonic

Front 2

Why is Early Catholic Church music still with us

Back 2

people in church were educated, wrote the music down

Front 3

Gregorian chant was named after who

Back 3

Pope Gregory

Front 4

What does melosmatic mean

Back 4

many notes per word

Front 5

what does syllabic mean

Back 5

1 note per word

Front 6

church music was monodic until when

Back 6

1100

Front 7

Leonin and Perotin were from what church in Paris? (created Orgunum)

Back 7

Notre Dam

Front 8

Who invented Orgunum

Back 8

Perotin and Leonin

Front 9

multiple parts beginnings of polyphony music

primitive

Back 9

Orgunum

Front 10

evolution of masses

Back 10

"Kyrie" Mashcow (mass of notre dam)

-primitive

-better than orgunum

-not very warm yet

"Kyrie" Dufay (one armed mass)

-boyant, happy

-getting closer to Renaissance

-more horizontal

"Kyrie" Pope Marcelli mass

-palestrina

-more cadences

-more audience ready

-more tonality

Front 11

why was there not a lot of instrumental music before the Renaissance

Back 11

because the instruments weren't very advanced

Front 12

What was the harpsichord called in England

Back 12

virginal

Front 13

What is a sacbut

Back 13

a trombone type of instrument

Front 14

Who was responsible for creating musical movable printin

Back 14

Petrucci

Front 15

Where did Antiphinal music originate from

Back 15

Gabrielli

Front 16

What are modes

Back 16

a collection of steps and half steps

Front 17

Who wrote La Mer

Back 17

Debussy

Front 18

Who wrote From the AIr

Back 18

Lorie Anderson

Front 19

Who wrote the Mass of Notre Dam

Back 19

Mashcow

Front 20

who wrote Lo Mar ma (single armed mass)

Back 20

Dufay

Front 21

Who wrote Pope Marcellis mass

Back 21

Palestrina

Front 22

When did string quartet originate

Back 22

classical

Front 23

when did the Fugue originate

Back 23

Baroque

Front 24

when did saxophone originate

Back 24

Romantic period

Front 25

period: consort

Back 25

Renaissance

Front 26

originate: Symphony

Back 26

Classical

Front 27

Originate: harpsichord

Back 27

Renaissane

Front 28

Originate: Basso Continueo

Back 28

Baroque

Front 29

originate: terraced dynamics

Back 29

Baroque

Front 30

originate: figured bass

Back 30

Baroque

Front 31

originate: orchestra

Back 31

Baroque

Front 32

originate: Opera

Back 32

Renaissance

Front 33

originate: sonata

Back 33

Baroque

Front 34

originate: Suites

Back 34

Baroque

Front 35

originate: Oratorio

Back 35

Baroque

Front 36

originate: sonata form

Back 36

classical

Front 37

originate: theme and variations

Back 37

Classical

Front 38

originate: Rondo

Back 38

Classical

Front 39

originate: chamber music

Back 39

classical

Front 40

originate: program music

Back 40

Romantic

Front 41

originate: musical nationalism

Back 41

Romantic

Front 42

originate: chromatic harmony

Back 42

Romantic

Front 43

originate: the Art song

Back 43

Romantic

Front 44

originate: song cycle

Back 44

Romantic

Front 45

originate: nocturne

Back 45

Romantic

Front 46

originate: 12 tone system

Back 46

impressionsitc

Front 47

characteristics of Baroque period

Back 47

-terracd dynamics

-lots of contrast

-basso continuo

Front 48

Characteristics of Classical period

Back 48

-transparent

-more melodic

-light and elegant

-

Front 49

characteristics of Romantic period

Back 49

-preocupation with nature

-turn towards mystic and supernatural

-new attention to nationalism

Front 50

Characteristics of impressionistic music

Back 50

-conveying moods and emotions

-uses of modes and exotic scales