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31 Cards in this Set
- Front
- Back
Executive Producer
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Finance, scheduling, and sometimes major creative decisions
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Vision Mixer
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Takes instructions from the Director and, using a special effects generator or switcher, switches b/t video images using cuts, dissolves, wipes, etc.
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VTR Operator
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Runs the tape machines, monitors audio levels and video level
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Associate Director
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Assists the director during the TV production be keeping track of timing and making sure that camera shots, graphics, and VTRs are ready for director's cues
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RF Assist
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A specific type of camera assistant who is responsible for keeping transmitter aimed at the reciever and to keep cables from becoming tangled or stretched
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Production Assistant
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Arranges shipment and delivery/pickup of food, establishes the rights to music
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Producer
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Responsible for coordinating commercials, calling the replays and making sure that the talent needs are met in addition to staying on schedule and budget
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Spotter
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Advises the production crew regarding any important activity or incidents on or around the field of play
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Utility
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Assist the engineering crew during set up and tear down. During production could be called a camera assist.
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Font Coordinator
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Spell check, updating scores, identifying on-screen personel
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Production Manager
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Oversees the operation of the production team including budgets, personnel assignments, and transportation
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A-1
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Determines where microphones are to be placed in the field of play. Also mixes the audio signal from the various mics, tape decks, digi carts, house feeds during production.
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EIC
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Works for the mobile truck provider and is responsible for keeping everything working on the truck.
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Coordinating Producer
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Keeps track of budgets, quality control and logistics for multiple producers
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Statistician
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Compiles competition stats, including past performances and up to the minute details
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Rigger
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Sets up structures to support lighting or cameras before the event
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Director
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Responsible for the creative and aesthetic portions of the production must be able to visually tell the story. Sets the tone and pace of the production crew motivator.
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Talent
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Refers to anyone who appears in front of the camera or is heard on air.
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Unit Manager
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Handles budgetary operation including outside vendors and overtime. Also handles crew scheduling.
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Videotape Librarian
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Collates and maintains the videotapes and records of events ready for retrieval on request
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Associate Producer
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This person often supervises postproduction and/or the production of edited video packages that appear within a production
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Slo-Mo Operator
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Operates and maintains the slow motion videotape or digital disc recorder
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Stage/Floor Manager
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Coordinates everything occurring in the studio or broadcast booth
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Electronic Still Store
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Operates equipment used for the capture, storage, and playback of still images from video. Selects, compiles, and cuts together video and audio to produce highlights , summaries, and feature packages
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Camera Operator
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Receives assignments from the director and constantly provides the director with the best quality images available for the production
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Production Coordinator
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Responsible for general operations such as catering, petty cash, runners, credentials, and phones.
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Graphics Operator
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operates the character generator to put text and graphics on the screen
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Camera Assist
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Protects and helps the camera operator by keeping people from walking into the camera's field of view
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Shader
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Responsible fore adjusting video levels as well as establishing the color intensity of cameras on the CCU to obtain the highest quality picture
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A-2
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Troubleshoots audio problems, assits talent with mics
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Tape AD
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Helps select the appropriate portion of the tape for playback for replays etc.
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