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11 Cards in this Set
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Dead Christ c. 1582 Annibale Carracci - Cousins, established an art academy - return to the ideal/naturalism of renaissance (used a model to paint body of christ) - dissections: study anatomy = naturalism - emphasize wounds = torture, personal effect |
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Lamentation c. 1582 Ludovico Carracci - body twisted in pain and suffering - coloring of dead body and Mary's dress = pain |
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Assumption of the Virgin 1600 Annibale Carracci Carasi Chapel in Rome - miraculous events in naturalist & straightforward way - Carracci starts to introduce idealism/decorative (Mary is young) which is rejected by Carivagio - miraculous, about to burst through wall |
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Conversion of Saint Paul c. 1600 Carivagio - "il vero": the truth! - dark, natural colors and distinct lighting - supernaturalism appeals to ordinary ppl, gritty and dirty (saints like up) - undermining Annibale |
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The Calling of Saint Matthew c. 1599-1600 Carivagio - part of 3 paintings dedicated to St. Matthew in Contarelli Chapel - street urchins in fancy clothes - "reading" the painting through gestures - figure in middle = pivotal - rejection of mannerism (sistine mimic) |
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The Musicians c. 1595-96 Caravaggio - return to secular art! - sensuality of music - clothes are costume, performance of street urchins - Open market = more freedom! |
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David 1623-24 Bernini - Dramatic! so viewer is included and persuaded - twisting limbs compel mover to move around, implicating audience - ideal male figure (calm and not emotional) |
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Saint Teresa in Ectasy c. 1647-52 Bernini Capella Cornaro (chapel) - theatrical display and personal effect for the viewer - Story of Teresa lifted on a cloud: watched by Cornaro family (group portrait) - Drapery as agitation: pain of spirituality, that a viewer should aspire to |
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Colonnade 1657 Bernini - St. Peter's burial burial site - huuuge to host thousands, but has intimate arms |
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Triumph of the Name of Jesus 1672-1679 Giovanni Battista Gaulli - trompe l'oeil = trick of the eye - trick is to make viewer feel like the event is happening (dammed are falling on you) - psychological - compared to older churches its more stylized and subtle) |
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Las Meninas (The maids of Honor) c. 1656 Diago Velázquez - propaganda in secular art - Painter painted himself in with brush and canvas - king and queen in mirror in background (inspired by Arnolfini) - as if it is a snapshot into a moment |