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42 Cards in this Set
- Front
- Back
melodrama
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music drama
combined spoken text with music |
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digital sound
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most radical change in sound system
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synchronous sound
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visible onscreen source
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asynchronous sound
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no visible onscreen source
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diegetic sound
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source in the narrative world of film
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nondiegetic sound
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does not belong to the character's world
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diegesis
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the world of film stories
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semidiegetic sound or internal diegetic sound
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construed as thoughts of a character and thus as arising from narrative world of film
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sound designer
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involved to plan and direct overall sound through to the final mix
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sound recording
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takes place simultaneously with the filming of the scene
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clapboard
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when the slate is filmed it is snapped
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boom
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a device resembling a fishing pole where the microphones are placed
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direct sound
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sound captured directly from its source
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reflected sound
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capured as sound bounces from the walls
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postproduction sound
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after the cut is prepared postproduction sound begins
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sound editing
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interacts with the image track to create rhythmic relationships, establish connections between sound and onscreen sources, and smooth or mark transitions
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spotting
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the director consults with the composer and the picture and sound editors to determine where music and effects will be added
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foley artists
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may generate sound effects
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postsynchronious sound
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recroded after the fact and then synchronized with onscreen sources
often preffered in the dialogue used for the final mix |
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automated dialogue replacement
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actors watch the film footage and re-record their lines to be dubbed into the soundtrack also known as looping
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walla
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assembling extras to create the sound of the crowd
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room tone
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the aural properties of location when nothing is happening
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sound mixing
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re-recording
can occur only after the image track is complete refereed to as locking picture |
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mix
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final track to match the film
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sound reproduction
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stage in the process when the film's audience experience the film's sound
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soundtrack
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voice, music and sound effects are the three elements of soundtrack, present simultaneously
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sound perspective
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apparent distance of sound source
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overlapping dialogue
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mixing character's speech simultaneously
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voice-off
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speaker inferred to be present but is not visible
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narrator
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person introducing the story
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voiceover
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a text spoken by an off screen narrator
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women's pictures
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women's voiceovers rarely carry through to closure
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talking heads
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on camera interviews, usually shot medium close up
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leader
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a strip attached to the beginning of a reel of film sometimes used to project a black image onscreen
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synchronization
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the visible coordination of the voice with the body from which it is emanating
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underscoring
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background music
music underscores what is happening dramatically |
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cue
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a piece of music composed for a particular place in the film
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click track
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holes punched in the film to keep the beat of the action
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stingers
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sounds that force us to notice something significant
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mickey-mousing
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over illustrating the action through the score
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music supervisor
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selects and secures the rights of songs to be used in films
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sound montage
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composed of separate elements whose relationship can be creatively manipulated
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