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8 Cards in this Set

  • Front
  • Back

What? "Whaam!"


When? 1963


Who? Roy Lichtenstein


Why? Painting of comic strip, intensity of emotion/removed and technical way of drawing


Cold War


Hyper masculine violence


"Copied"


Living in comics


Glorification of war


Cold mechanized warfare


detachment

What? "Campbell's Soup Cans"

When? 1962


Who? Andy Warhol


Why? Displayed like cans in a grocery aisle


Flavor per canvas


inspired by mass produced printed advertisements


Silk screening


Relocation, change meaning of art


Cheap advertisement


confronting industrial culture


questioning, can this be art?


nothing singular

What? "The Liberation of Aunt Jemima"

When? 1972


Who? Bettye Saar


Why? Objects and stereotyped depictions of African americans from Jim crow era


Mamie: broom and shotgun


Re appropriation of derogatory images


Protest and empowerment


demand of agency within society


cotton, mulato baby, smiling mamie,


black power fist, hand grenade


warrior


taking back the stereotype from the maker




3D collage





What? "The Dinner Party"


When? 1979


Who? Judy Chicago


Why?The Dinner Party comprises a massive ceremonial banquet, arranged on a triangular table with a total of thirty-nine place settings, each commemorating an important woman from history. The settings consist of embroidered runners, gold chalices and utensils, and china-painted porcelain plates with raised central motifs that are based on vulvar and butterfly forms and rendered in styles appropriate to the individual women being honored. The names of another 999 women are inscribed in gold on the white tile floor below the triangular table.


her goal was to introduce the richness of women’s heritage into the culture


rising symbol of liberation, up and down, currents of woman history


pushing off table, women dont belong on table


international and national news


brought women back into history books

What? "Spiral Jetty"


When? 1970


Who? Robert Smithson


Why? art and place


traversing artwork


permanent flux


artwork directly in landscape


natural shape in unnatural setting


unexpected permanence


change in natural environment


nuances of particular moments


ephimerality

What? "The Vietnam Veteran's Memorial"


When? 1982


Who? Maya Lin


Why? names of dead in chronological order of death


reflective wall, linking past and present


Rise and fall of wall


Wound healing


requires participation, touching it

What? "Running Fence"


When? 1976


Who? Christo and Jean-Claude


Why? an 18-foot-high stretch of white, billowing nylon curtains that extended 24.5 miles along the hills of Sonoma and Marin counties for two weeks in September 1976. The sheer beauty of the light and weather playing across the fabric of the fence stood in sharp contrast to the underlying issue of division and limitations that fences generally convey. For Christo and Jeanne-Claude, the fence embodied larger issues of human freedom and constraint. togetherness


jobs and material for residents

What? "Flamingo"


When? 1974


Who? Alexander Calder


Why? completely stable abstract sculpture


human participation and interaction


alludes to natural and animal realm


dynamism


contrast with buildings, buildings frame it


industrial materials echo skyscrapers