Use LEFT and RIGHT arrow keys to navigate between flashcards;
Use UP and DOWN arrow keys to flip the card;
H to show hint;
A reads text to speech;
8 Cards in this Set
- Front
- Back
|
God as Creator of theWorld, 1220-1230 -Moralized French Bible -God in the process of creating the world -not typical creation story, God uses geometry |
|
|
Nicola Pisano, Annunciation relief panel, 1259 -Marble,angel coming down to tell Mary shes pregnant, copy naturalistic forms ofancient roman art -“Fatherof renaissance” -similar to roman architecture |
|
|
Giotto, Arena Chapel, 1305 -fresco, window looking into the world, foreshortening, shading-folds -temporality- specific movement -Naturalistic, individuals, figures generated space, figures tacked appear father, rock wall creates line to jesus (in one of the frescos) |
|
|
Masaccio, Holy Trinity, 1424 -Painting that looks like a sculpture -Linear perpective -Orthogonal- lines that converge at a right angle to the picture -Vanishingpoint- lines of architecture meet at point that appears to be gone (ex. Train trakcs), mimicking a visualexperience |
|
|
Michelangelo, David, 1501 -Not as rational as Leonardo, more about beauty -Large ass hands -Usedhis hands to use slingshot to defeat enemy- expressing his unexpected powerfrom his hands -Hellenistic emotion |
|
|
Breughel, NetherlandishProverbs, 1559 -Senseof what it was like to live in northern Europe in 16th cent. -Usessetting to illustrate proverbs/sayings of the time -“to beat ones head against the wall” “shortsidedness” “kissa pole”- be hypocritical -lessserious |
|
|
Caravaggio, Conversion of Saint Paul -Light/symbolism -Conversionscene -St Paulfalls down in inspiration when he converts -perspective, chiaroscuro, and dramatic lighting |
|
|
Vermeer, Allegoryof the Art of Painting -Knownfor documenting landscapes -Alsointerior scenes- precise and reproduction of detail -Middleclass people having precise interactive moment -He mayhave used camera obscura |
