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37 Cards in this Set
- Front
- Back
“Old stone age”, period of nomadic, hunters and gatherers of the ice age. |
Paleolithic |
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Sculpture that can be viewed from all sides, a.k.a “freestanding “ |
Sculpture-in-the-round |
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Carved sculpture that projects from the material surface. |
Relief |
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Sharp, pointed tool used for carving fine lines. |
Burin |
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Natural, earthen pigment. |
Ocher |
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A painting on a wall |
Mural |
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“New stone age”, period of settlement building, agriculture, and animal husbandry |
Neolithic |
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Large stone |
Megalith |
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Horizontal supports and cross beams, usually to span an entry or hall |
Post-and-lintel |
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A black, naturally occurring, tar-like substance |
Bitumen |
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Depicted in a manner that is flat, linear, and patterned |
Stylized |
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Visual evidence or style that an artist has observed nature and incorporated those observations into an artwork |
Naturalism |
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“Low” relief, when the carved image projects only very slight from the material surface. |
Bas-relief |
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A conceptual view of a figure that combines frontal and side views |
Composite profile |
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a. k. a. “Register”, a horizontal band of narrative imagery or decorative pattern. |
Frieze |
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“Lost wax” method, a hollow casting method employed a clay model, layer of wax, and outer mold. |
Cire-perdue |
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“Mountain”, a temple platform |
Ziggurat |
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Glazed earthenware with a lustrous, glasslike, opaque surface in a variety of colors |
Faience |
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A large, hypostyle hall |
Apadana |
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A hard stone, usually dark gray or green in color |
Diorite |
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The wedge-shaped alphabet invented by the Sumerians |
Cuneiform |
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Early Egyptian tomb made of mud brick or stone with a flat top and four battered sides |
Mastaba |
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The monumental gateway into the forecourt of a temple comprised of battered walls and tower-like molding with a central entrance |
Pylon temple |
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A column, freestanding or engaged, shaped as a man, the male form of a caryatid |
Atlantid |
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Mural painting on dry plaster |
Fresco secco |
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A column that is affixed to a wall, usually for aesthetic reasons rather than as a support |
Engaged column |
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A system or set of rules for depicting pleasing relationships among the parts of the body or architectural structures |
Canon of proportions |
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Organized in such away that a mirror image is produced along a central, usually longitudinal or vertical, axis |
Bilaterally symmetrical |
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Passageway or meeting hall comprised of columns that support a flat roof usually made of stone |
Hypostyle |
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A metalwork process that produces a raised image by hammering the design from the backside, an artwork produced by the repoussé process |
Repouseé |
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Mural painting on wet plaster |
Buon fresco |
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Usually “string - -“ or “stone - -“ , a horizontal band of masonry |
Course |
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A curved span comprised of cantilevered courses that rise to a point, a triangular arch |
Corbeled arch |
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A beehive shaped tomb in the Ancient Aegean, a round temple in Ancient Greece and Rome |
Tholos |
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Rough hewn stones of enormous size |
Cyclopean masonry |
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The main, inner sanctuary of a temple |
Cella |
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The large hall of an Aegean palace, usually with a central hearth framed by four columns that support the roof |
Megaron |