Use LEFT and RIGHT arrow keys to navigate between flashcards;
Use UP and DOWN arrow keys to flip the card;
H to show hint;
A reads text to speech;
26 Cards in this Set
- Front
- Back
composer
|
the person who writes the music for an opera
|
|
librettist
|
the person who devises the story and writes the words for an opera
|
|
conductor
|
the person who leads the orchestra and is responsible for the musical integrity of an opera performance
|
|
stage director
|
the person responsible for the acting, movement, and visual elements of an opera
|
|
choreographer
|
the person responsible for staging the dances in an opera
|
|
soprano
|
highest female voice
|
|
mezzo-soprano
|
middle female voice (AKA: alto in choral singing)
|
|
contralto
|
lowest female voice
|
|
tenor
|
highest natural male voice
|
|
baritone
|
middle male voice
|
|
bass
|
lowest male voice
|
|
castrato
|
male singer castrated as a youth to preserve the high female range and quality of his prepubescent voice
|
|
designers
|
the people responsible for working with the director to create the look of the costumes, sets, lighting, and make-up for an opera
|
|
diva
|
literally "goddess" a term of praise for a female opera star (contemporary- applied to female pop singers)
|
|
prima donna
|
literally "first lady" the female star of an opera star in general (contemporary- temperamental or conceited performer)
|
|
set- piece composition
|
style of operatic composition used until the middle of the 19th century; musically self-contained scenes are strung together;audiences generally applaud after each scene
|
|
recitative
|
sung dialogue with minimal accompaniment and melody but maximum emphasis on the words; used to advance the plot and set up arias and other musical numbers
|
|
aria
|
composition for solo voice and accompaniment, more musically complex than a popular song; used as the building block for most operas
|
|
duet
|
a composition for two voices and accompaniment
|
|
trio
|
vocal composition for three voices and accompaniment
|
|
aria da capo
|
a three part aria form used primarily in the Baroque period; first section of text and music is followed by contrasting second section, then the first section is repeated with vocal ornamentations
|
|
coloratura
|
rapid and showy vocal pyrotechnics that display a singer's agility and range
|
|
dynamics
|
the gradations of volume in music, ranging from piano (soft) to forte (loud)
|
|
tempo
|
the speed at which a composition is performed, ranging from largo (slow) to allegro (fast)
|
|
cavatina- cabaletta
|
two part aria used especially in bel canto operas; a slow first section (the cavatina) is followed by a fast, pyrotechnic conclusion (the cabaletta)
|
|
through-composition
|
a more realistic style of opera composition that developed in the middle of the 19th century; the music continues without interruption from the beginning to the end of each act; there are no recitatives or applause breaks after musical numbers
|