Och Final

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The Goat Amalthea with the Infant Jupiter and a Faun, bernini 1610

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Enea, Anchise e Ascanio, 1615
`1st lfie size work, florentine mannersit tradition, virgils aenid

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Martrydom of Saint Lawrence, bernini, 1615
name saint, in tradition with bronzino's, simlar pose

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St Sebastian, bernini, 1615,
lacoaon is source

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Pluto and Proserpina, bernini, 1615
borghese collection, didnt like it, no hionesty to material, diagonal shaping beginning

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apollo and daphne, bernini, 1620

ovid metamorhpeses again, apollo belvedere source

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“David” by Bernini. “, 1620
comapred to M's, circular motion, multiple viewpoints, life size, action

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cardinal borghese, bernini, 1630

out of appreciation, abpout to speak (new aspect, in action) reality in face

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Costanza Bonarelli, bernini, 1630
his mistress, pushing envelope, very intimate, lacks formality, pope makes him marry

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baldachino st peters, bernini 1630

urban 8, marks site of tomb, frames back wall,

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Bernini Tomb of Pope Urban VIII, details of Death, 1628-47
deep craving, idea sfrom m's medici chapel, action, rising out of coffin

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saint longinus, bernini, 1630

crossing of st peters, looking at christ, illusionistic?

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tomb of alex 7 chuigi, bernini, 1630

meant to be viewed up close, door actually goes outside, very baroque involving viewer

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Truth Unveiled by Time, bernini, 1650
never finished time, trying to say its not his fault, doesnt have support of papacy

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piazza Navona, Fontana dei quattro fiumi,bernini, 1650
back in good gracesx of papacy, pamphili family, papal support of missionary activity

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bernini did arms in 1660, meant to be embrace, attempting to push people back to view church

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1650

for venetian family, uses bumpout, real light, broken pediment, working from a source

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Church of Saint Andrew', bernini, 1650
active facade, this work was dear to bernini, alex 7 chigi is patron, interior is a surprise pantheon as inspiration

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Bust of Louis XIV (Bernini)1660
did it quickly, 40 days,

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el greco, death of the virgin, 1570

sharp drapery

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el greco pieta, 1570

oil on wood, in venice at time, developing style

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el greco, purification of the temple, 1570

signs it in greek, rare subject, learning perspective, does another version shows titian m and Raphael , artistic genealogy

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Giulio Clovo, el greco, 1570
venetian format, holding farnese hours

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boy lighting a candle, el greco, 1570

likely done for farnese, based of a pliny desctription, prelude to carracci and caravaggio

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christ healing the blind, el greco, 1570

in rome for this, did another version as well

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church of santo domingo, el greco, 1580

1st major project in spain, all the paintings are his, luis de castilla

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assumption of virgin, santo domingo church , el greco , 1580

connection to titians, similar comp., standing on crescent moon

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The Martyrdom of St Maurice, el greco, 1580
signs it, warrior saint, interest in realism, about loyalty phillip ii comissioned, took another version over it

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he Burial of the Count of Orgaz, el greco, 1580
for toledo chapel, illusionism of time like bernini, about founding saint of church

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St Andrew and St Francis, el greco, 1580
signs it, slender figures, large

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st ildefonso, el greco, 1590

realism, face is particularized

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pieta, ribiera, 1640

closest follower of caravaggio, tenebrism

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christ embracing st bernard, ribalta, 1620

may have been ribieras teacher, tenebrism, naturalistic, soruce from story of st bernard

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club foot boy, ribera, 1640

life size, people have to look up to it, about charity, confrontational presentation, burial of orgaz charity and counter reform

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Francisco Lezcano, velasquez, 1640
17th century grants access to different lives then before

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Old Woman Frying Eggs, velazquez, 1620
bodegones, shop scenes typical of early career

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triumph of bacchus, velazquez, 1630

introduces mythology to spanish, atypical representation , contrast of figures

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venus with a mirror, velzquez, 1650

british patron

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waterseller of seville, velazquez, 1620

technical expertise, 3 ages of humanity, common allegory

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portrait of philip iv, velzques

did many of these, painted him with realism, special relationship

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las meninas, 1660

velazques full of himself, audcaious, maybe in eyes of king philip

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self p, murillo, 1660

takes spanish into rococo