Use LEFT and RIGHT arrow keys to navigate between flashcards;
Use UP and DOWN arrow keys to flip the card;
H to show hint;
A reads text to speech;
98 Cards in this Set
- Front
- Back
|
Who composed "In paradisum" |
Not known |
|
|
How would you characterize the mood of "in paradisum" |
Slow and solemn |
|
|
"In paradisum" is sung by |
Mens voices |
|
|
The opening of antiphon "In paradisum" is sung by |
A solo make voice |
|
|
In the last line of "In paradisum" the last syllable of the word aeternam: A pauses before the wired habeas B divides into 2 parts C slowly rises and falls in pitch D is accented |
C. Slowly rises and falls in pitch |
|
|
Who composed "Columba Aspexit"? A Guillaume de machaut B hildegard of Bingen C pope Gregory I D not known |
B: Bingen |
|
|
Which structure do you hear in "columba aspexit"? |
A number of tunes sung twice with on single tune at the end |
|
|
The performing forces in "columba aspexit" consists of |
One solo female voice, a female choir, and a drone |
|
|
What is the texture of "columba aspexit", excluding the intrumental accompaniment? A monophony B homphony C imitative polyphony D non-imitative polyphony |
A monophony |
|
|
Which does not change throughout "columba aspexit" |
The instrumental accompaniment |
|
|
Which changes provided contrast in "columba aspexit" |
Changes from the soloist to a group of singers |
|
|
Who composed "La dousa votz" A hildegard of bingen B Bernart de Ventadorn C guillaume de machaut D Pérotin |
B: Bernart de Ventadorn |
|
|
What type of selection is "La dousa votz" A troubadour song B plainchant C sequence D trouvere song |
A troubadour song |
|
|
The performing forces in "la dousa votz" are |
A male vocal soloist and a plucked string instrument |
|
|
The form of "la dousa votz" can be described as having |
Several stanzas in an A A ' b form |
|
|
Which is true of the rhythm of "la dousa votz" |
The meter is duple |
|
|
"la dousa votz" is |
Secular |
|
|
Who composed "Alleluia Diffusa est gratia" A Pérotin B leonin C Josquin desprez D Guillaume dufay |
A perotin |
|
|
When was Alleluia Diffusa est gratia written? |
1200 century |
|
|
The performing forces in Alleluia Diffusa est gratia are |
Male voices, unaccompanied |
|
|
Which textures do you hear in Alleluia Diffusa est gratia |
Monophony then organum than monophony |
|
|
Which is true of the rhythm of Alleluia Diffusa est gratia |
The meter is free and then compounded duple then free |
|
|
Which is true of the relative speed of the upper and lower voices during the organum section of Alleluia Diffusa est gratia |
The higher voices move more quickly than the lower voices |
|
|
The chant in Alleluia Diffusa est gratia sing by the lowest voice at times |
Is reduced to a series of lengthy drones |
|
|
Alleluia Diffusa est gratia is A secular B scared C neither D both |
Sacred |
|
|
Who composed "sumer is icumen in"? A guillaume de machaut B hildegard of Bingen C not known D Bernart de Ventadorn |
C Not known |
|
|
"sumer is icumen in"? Is A secular B scared C neither D both |
A secular |
|
|
What can be heard below the four voices singing the main tune of "sumer is icumen in"? |
2 lower voices. The "Pes" |
|
|
Who composed "Dame, de qui toute ma joie vient"? A Guillaume de machaut B hildegard of Bingen C phillippe de vitry D Bernart de Ventadorn |
A Machaut |
|
|
The performing forces in "Dame, de qui toute ma joie vient"? Are |
2 high vocal soloists and a viol |
|
|
What contributes to the intricacy of "Dame, de qui toute ma joie vient"? A the harmony B the small vocal range used C the complex polyphony D the performing forces |
C the complex polyphony |
|
|
Most of the music of medieval times that has been preserved for us was written down by |
Members of religious orders |
|
|
Who is traditionally associated with collecting and codifying the chants of church? |
Pope Gregory I |
|
|
Gregorian chant is so named because Pope Gregory I |
Organized the chants |
|
|
"In paradisum" is an example of A antiphon B estampie C late medieval sequence D troubadour song |
A Antiphon |
|
|
"In Paradisum" would most likely have been used |
As a procession from the church to the graveyard |
|
|
"In Paradisum" is part of the liturgy for |
The dead |
|
|
"In Paradisum" is sung by |
The priest and the ENTIRE religious community. |
|
|
After the initial "In Paradisum" the music |
Becomes more and more melodic |
|
|
The mourners singing "In Paradisum" in the middle ages would have identified with the text referring to |
Lazarus |
|
|
Hildegard's of Bingen composed in the ___ century. A 9th B 10th C 11th D 12th |
12th |
|
|
Hildegards music is a product of |
Her own poetry and her own plainchants |
|
|
The subject of "columns aspexit" is A Praise for Saint maximinus B unrequited love C the coming of spring D praise for Saint Francis of Assisi |
Praise for Saint maximinus |
|
|
Which composition is a plaintchant sequence |
Columbia aspexit |
|
|
Who were the medieval poet musicians of south France |
Troubadours |
|
|
Who was a troubadour A hildegard of Bingen B countless beatriz of Dia C leonin D Pérotin |
B countless beatriz of dia |
|
|
Which is true of Bernart de Ventadorn |
He had a humble background but worked for queen eleanor of aquitaine, wife of henry ii |
|
|
Which characteristic makes "La dousa votz" different from "columba aspexit" |
Votz is Secular |
|
|
The meaning of the text "la dousa votz" involved |
Betrayal in love |
|
|
Who were the two great composers of the Notre Dame school? |
Leonin and perotin |
|
|
Pérotin composed "Alleluia Diffusa est gratia" for |
The mass |
|
|
The meaning of the text of "sumer is icemen in" involves |
Celebration of the arrival of summer |
|
|
An outstanding composer of the french ars nova was |
Guillaume de machaut |
|
|
Guillaume de machaut composed in the ____ century A 12th B 13th C 14th D15th |
C 14th |
|
|
Guillaume de machaut was not only a composer but also a |
Poet |
|
|
"Dame, de qui toute ma joie vient" is a |
Chanson |
|
|
Which part has the plainchant fragment in "dame, de qui toute ma joie vient"? |
There is no plainchant fragment |
|
|
The text of "Dame, de qui toute ma joie vient" |
Romantic love |
|
|
The polyphony that occurs in "Dame, de qui toute ma joie vient" features long melismas on many syllable, a feature that looks back to |
The style of organum |
|
|
Chant is the musical basis for all of the following except A columba aspexit B in paradisum C Alleluia Diffusa est gratia D "Dame, de qui toute ma joie vient" |
D "Dame, de qui toute ma joie vient" |
|
|
Which is true of "Ave Maris Stella"? A It is a homophonic setting of a Gregorian hymn B it is a. polyphonic setting of plainchant C it is a monophonic chant D it is a plainchant sequence |
A it is a homophonic setting of a Gregorian hymn |
|
|
In which voices during "Ave Maris stella" do you hear the hymn tune in paraphrase with extra notes? |
The highest voices |
|
|
What are the performing forces in "ave Maris Stella" |
A choir of high and low voices |
|
|
Who composed the pange lingua mass A Josquin desprez B Guillaume dufay C palestrina D Thomas weelkes |
A desprez |
|
|
The performing forces in pange lingua mass.consists of a |
Choir of high and low voices |
|
|
The composer used the melody of the plainsong hymn ____ as the basis of the "pange lingua mass" |
pange lingua |
|
|
What do you hear after the breif plainchsnt section in the kyrie of pange lingua |
A point of imitation |
|
|
The composer of pange lingua used plainchant to open |
The first second of the kyrie |
|
|
Which parts of the mass are included in our excerpts from pange lingua A monophony B homophony C imitative polyphony D non-imitative polyphony |
C imitative polyphony |
|
|
Desprez polyphonic Chansons "Mille regrets" is notable for it's |
Expressive matching of music to words |
|
|
Who composed the pope Marcellus mass? A deprez B Giovanni palestrina C weelkes D anonymous |
B palestrina |
|
|
The performing forces in pope Marcellus consitis of |
Voices alone |
|
|
What is the predominant texture of " qui tollis" from the Gloria of the pope Marcellus mass |
Homphony |
|
|
How does the " qui tollis" from pope Marcellus differ from the " qui tollis" in the pangs lingua mass |
It uses more voices and alternations choirs: it is more homophonic |
|
|
The purpose of pope Marcellus was too |
Worship god |
|
|
"As vests was from latmos hill descending" is a A madrigal B mass C Motet D plainchant sequence |
Madrigal |
|
|
The text of "As vests was from latmos hill descending" involves: |
Queen Elizabeth and mythological figures |
|
|
"As vests was from latmos hill descending" demonstrates A isorthythm B hocket C plainchant sequence D word painting |
D Word painting |
|
|
The performing forces in "As vests was from latmos hill descending" consists of |
Male and female vocal soloists |
|
|
"Daphne" is a A Pavan B galliard C jig D stylized dance |
B gilliard |
|
|
The performing forces in "Daphne" consists of |
Early violins |
|
|
The texture of Daphne is |
Homophonic |
|
|
The meter of "memos jig" Is |
Duple |
|
|
What Is the form of kemps jig |
A a b repeated several times |
|
|
The purpose of kemps jig Is |
Listening enjoyment |
|
|
Where was dufay born and where did he spend he spend his career |
Northern France near Belgium Italy |
|
|
Dufays ave Maris Stella is A an estampie B a madrigal C a harmonized hymn D part of a polyphonic mass |
C harmonized hymn |
|
|
Dufay is best know for his |
Polyphonic masses and plainchant harmonizations |
|
|
Who was the first master of the high renaissance style? A Thomas weelkes b Josquin deprez c Guillaume dufay D Giovanni palestrina |
B desprez |
|
|
Josquin composed works In which genres |
Mass motets and Chansons |
|
|
The text of the kyrie section of the pange lingua mass is |
Kyrie, christe, kyrie |
|
|
Points of imitation are used extensively in |
The kyrie from the pange lingue mass |
|
|
A characteristic of high renaissance music as Heard in the pange lingua mass is the contrasting of ___ and ___ |
Homophony and initiative polyphony |
|
|
The universality of the late renaissance style found in the works of palestrina lassus, Victoria. And Byrd who worked in |
Rome, munich, Rome and Madrid and england |
|
|
The most convincing and diplomatic composer of Roman Catholic church music during the counter reformation qasb |
Giovanni palestrina |
|
|
Homophonic texture and avoidence of long elaborate phrases composed on one syllable of text from who |
Giovanni Palestrina |
|
|
The anthology of madrigals honor of queen Elizabeth was compiled in 1601 was called |
The triumphs of oriana |
|
|
Thomas weelkes wrote madrigals in |
English |
