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35 Cards in this Set
- Front
- Back
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Pope Gregory |
-Gregorian Chant (590-604) |
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Charlemagne |
spread Gregorian Chant neumes 768-814 |
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Guido of Arezzo |
Staff Guidonian Hand (notation on staff) 1025 |
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Hildegard of Bingen |
colorful language divine visions 1098-1179 |
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Cantus Firmus |
Imitative Polyphony Medieval music |
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Countess of Dia |
poem courtly love Medieval |
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organum |
4th,5th, and octave chants Medieval |
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Guillame de Machaut |
Isorhythm Notre Dame Mass 1300-1377 |
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Josquin |
Ave Maria motet latin 1450-1521 |
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Petrucci |
Venice Music Printing Renaissance |
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Palestrina |
Pope Marcellus Mass credo polyphony 1567 |
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Weelkes |
As Vesta was Descending from Latmos Hill madrigal Renaissance |
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Florentine Camarata |
beginning of opera recitatives and arias based on ancient greecian art Baroque |
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Oreo, Monteverdi |
toccata opera ritornello form 1567-1643 |
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Basso Continuo |
Figured bass 2 lines of music one for bass one for chords |
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Dido and Aeneas |
early baroque aria Doctrine of Affections 1689 |
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Suites |
dance compositions binary form Baroque |
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Vivaldi's Concerto |
ritornello form 1678-1741 |
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Johann Sebastian Bach |
born in Germany trained to be music director Weinmar-court organist (toccata/fugue) Cothen-prince's court, music director, instrumental music (Brandenburg Concertos) Leipzig-teach at church school, music director for two churches, (Cantatas) 1685-1750 |
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George Friedric Handel |
born in Germany trained to be music director wrote opera in Germany and Italy moved to London head of two opera companies in England (1 a royal patronage) both failed wrote English oratorios (much cheaper) $$$ 1685-1759 |
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texture |
voice of music |
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rhythm |
organization of the pulse of the music |
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melody |
succession of pitches that form a coherent whole |
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sequence |
motive that drops higher/lower consecutive times |
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harmony |
system of organization of pitches |
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Form |
sequential order/organization of piece types: Ritornello, de Capo Aria, binary, fugue |
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Ritornello |
full group (refrain), small group, f,s,f,s, etc. |
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de Capo Aria |
ritornello, solo, ritornello(refrain) |
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Binary |
||: A B:|| |
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Fugue |
exposition, episode, statement, ep., s, ep., s, etc. melody=subject; in statement but not ep. |
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Trio Sonata |
4 instruments (2 violins, 1 cello, 1 other) |
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Solo Concerto |
Solo vs. full group (de Capo Aria) |
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Concerto Grosso |
Full group vs. small group |
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cantata |
mini opera recitatives/arias |
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Lutheran Chorale |
cantata element hymns |
