Use LEFT and RIGHT arrow keys to navigate between flashcards;
Use UP and DOWN arrow keys to flip the card;
H to show hint;
A reads text to speech;
77 Cards in this Set
- Front
- Back
Renaissance
|
(1450-1600) rebirth of ancient greek and Roman culture. Term applied to visual arts.
|
|
Humanism (Characteristic of Renaissance)
|
A cultural and intellectual movement of the Renaissance that emphasized secular concerns as a result of the rediscovery and study of the literature, art, and civilization of ancient Greece and Rome.
|
|
Mixture of greek paganism and christian belief. (Characteristic of Renaissance)
|
sistine chapel with biblical and secular figures
|
|
Rise of great artists (Characteristic of Renaissance)
|
da vinci, michelangelo, raphael, titian
|
|
Pride in new contrapuntal technique (Zarlino)
|
control of consonance and dissonance
|
|
Glareanus
|
aeolian/hypoaeolian and ionian/hypoionian and a push towards major and minor
|
|
just intonation
|
new method of tuning (offered perfect and imperfect consonance) to achieve a sweeter sound
|
|
First music print
|
Plain chant in 1473
|
|
Moveable type
|
Ottaviano Petrucci
|
|
Triple impression
|
process of printing sheet music. Staff, Words, Notes
|
|
Complicated music led for necessity of?
|
score
|
|
Odhecaton
|
(Hundred songs) earliest printed collection of polyphonic music
|
|
Johannes Ockeghem
|
Sang in cathedral of antwerp, "Premier Chapelain" for King charles I of france, Teacher composer and singer. "Missa de plus en plus"
|
|
Renaissance compositional devices (Mass names)
|
Modes (missa quinti toni), Opening notes (Missa mi-mi), Structural composition feature (missa prolationum), sung in any mode (Missa cuiusvis toni)
|
|
Renaissance compositional devices (Canon)
|
retrograde or cancrizans, mensuration canon, double canon, puzzle canon
|
|
Renaissance
|
(1450-1600) rebirth of ancient greek and Roman culture. Term applied to visual arts.
|
|
Humanism (Characteristic of Renaissance)
|
A cultural and intellectual movement of the Renaissance that emphasized secular concerns as a result of the rediscovery and study of the literature, art, and civilization of ancient Greece and Rome.
|
|
Mixture of greek paganism and christian belief. (Characteristic of Renaissance)
|
sistine chapel with biblical and secular figures
|
|
Rise of great artists (Characteristic of Renaissance)
|
da vinci, michelangelo, raphael, titian
|
|
Pride in new contrapuntal technique (Zarlino)
|
control of consonance and dissonance
|
|
Glareanus
|
aeolian/hypoaeolian and ionian/hypoionian and a push towards major and minor
|
|
just intonation
|
new method of tuning (offered perfect and imperfect consonance) to achieve a sweeter sound
|
|
First music print
|
Plain chant in 1473
|
|
Moveable type
|
Ottaviano Petrucci
|
|
Triple impression
|
process of printing sheet music. Staff, Words, Notes
|
|
Complicated music led for necessity of?
|
score
|
|
Odhecaton
|
(Hundred songs) earliest printed collection of polyphonic music
|
|
Johannes Ockeghem
|
Sang in cathedral of antwerp, "Premier Chapelain" for King charles I of france, Teacher composer and singer. "Missa de plus en plus"
|
|
Renaissance compositional devices (Mass names)
|
Modes (missa quinti toni), Opening notes (Missa mi-mi), Structural composition feature (missa prolationum), sung in any mode (Missa cuiusvis toni)
|
|
Renaissance compositional devices (Canon)
|
retrograde or cancrizans-original melody backwars, mensuration canon-same melody(different rates and speeds), double canon-two types simulataneously, puzzle canon-melody w/ no directions
|
|
Canon
|
composition in which the voices enter successively at determined pitch and time intervals all performing the same melody.
|
|
Students of Okhegem
|
Obrecht, Heinrich Isaac, and Josquin de Pres
|
|
Josquin de Pres
|
Born: France, Most famous of his time "On par with michelangelo"
|
|
works of Josquin
|
formes fixes, adieu mes amours, missa l'homme arme
|
|
Adrian Willaert
|
16th cent. franco flemish composer, teacher and maestro di cappella at St. Mark's Basilica in Venice.
|
|
16th centure franco-flemish composers qualities
|
text determined music, bass foundation, aimed for full triadic form, favored duple, borrowing melodies standard, trying to appeal to a wider audience.
|
|
Frottola
|
simple italian secular song which is essentially ina chordal style with 3 or 4 parts with the upper part standing out as the melody.
|
|
through composed
|
music without internal repetition especially with respect to the setting of a poem that might imply the repetition of music for different words.
|
|
Petrarchan madrigal
|
first lines offer conflict and final lines offer resolution.
|
|
Archicembalo
|
Nicola Vicentino, keyboard type intrument that could play 1/4 tones and microtonal progressions
|
|
notation
|
shorter values for notes
|
|
Parody mass
|
mass which uses polyphonic model from another work and changes to words.
|
|
Parody mass by Josquin de Pres
|
Missa pange lingua
|
|
Sogetto dalle vocali
|
carving out the name, or vowel, uses vowel to form syllable. Ex Toe = do
|
|
Carlo Gesualdo
|
murdered his wife and children. Io parte
|
|
text painting
|
compositional technique of having the music sounds reinforce the words being sung.
|
|
France "Parisian Chanson"
|
light, fast, homophonic strongly rythmic song for 4 voices, syllabic in a 4 meter
|
|
Spain Villancico
|
equivelant of the italian frottola.
|
|
Triumphes of Oriana
|
Thomas Morely, set of madrigals dedicated to the queen elizabeth
|
|
english lute song
|
like a hymn, strophic setting of english poetry for solo voice and lute accompanyment
|
|
Sytagma Musicum
|
Michael Praetorius, music treatise which contains detailed woodcuts and illustrations and descriptions of instruments from renaissance.
|
|
types of instruments
|
winds: shawms, krummboro, transverse flute, cornette, trumpets, sackbutts:::Bowed strings: viols, viola da gamba, viola de braccio::::Keyboard: organ, clavichord, harpsichord
|
|
consort or chest
|
unified timbre of instruments from bass to soprano
|
|
Types of renaissance instrumental works
|
In nomine- borrowed melody, canzona- instrumental chanson, Sonata- sacred chanson, keyboard compositions- preludes, preambulum, fantasia, ricercare, Toccata-introductory keyboard piece with improvisation
|
|
Renaissance instrumental compostitional devices
|
use of f and p, and designation of specific instruments.
|
|
english virganilist
|
english type harpsichord
|
|
Fitzwilliam virginal book
|
written for queen elizabeth and featured works by bull, byrd, and gibbons
|
|
lutheran chorale
|
strophic congregational hymn
|
|
contrafacta
|
composer takes a secular song and re-adapts it with new text into a chorale
|
|
The psalter
|
book of psalms translated into the vernacular frequently in rymed version and provided music in congregational singing.
|
|
John dowland madrigal
|
flow my tears
|
|
Full anthem
|
contrapuntal unaccompanied work for choir in english
|
|
Counter reformation
|
catholic change up
|
|
council of trent
|
working out problems mentioned by luther
|
|
catholic music reforms
|
all but 4 tropes abolished, plainchent preffered music, emphasized clarity of words, no complicated music, musicians to be good
|
|
Palestrina
|
heard the poe was going to abolish polyphiny so he wrote the pope marcellus mass to change his mind. worked in rome his entire life.
|
|
Thomas Luis de Victoria
|
adventuresome harmonic progressions and passionate music.
|
|
Orlando di Lasso
|
choirboy in mons worked for italian noble families, worked in court for dukle albrecht
|
|
The psalter
|
book of psalms translated into the vernacular frequently in rymed version and provided music in congregational singing.
|
|
John dowland madrigal
|
flow my tears
|
|
Full anthem
|
contrapuntal unaccompanied work for choir in english
|
|
Counter reformation
|
catholic change up
|
|
council of trent
|
working out problems mentioned by luther
|
|
catholic music reforms
|
all but 4 tropes abolished, plainchent preffered music, emphasized clarity of words, no complicated music, musicians to be good
|
|
Palestrina
|
heard the poe was going to abolish polyphiny so he wrote the pope marcellus mass to change his mind. worked in rome his entire life.
|
|
Thomas Luis de Victoria
|
adventuresome harmonic progressions and passionate music.
|
|
Orlando di Lasso
|
choirboy in mons worked for italian noble families, worked in court for dukle albrecht
|