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22 Cards in this Set
- Front
- Back
colotomic structure
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use of specified instruments to mark off established (nested) time intervals
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Gendhing
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a class of colotomic structure used in Javanese gamelan music, or simply a “gamelan piece” or “gamelan composition”
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Gongan
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A section of a piece between subsequent gong strokes; generally the largest colotomic division of a piece.
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Iråmå
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a level of subdivision of main melody beat by elaborating instruments
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Pathet
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musical mode; also major section of shadow play
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pélog
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a 7-tone system made up of large and small intervals, normally notated 1, 2, 3, 4, 5, 6, and 7
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sléndro
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a 5-tone system made up of nearly equidistant intervals, normally notated with the numerals 1, 2, 3, 5, and 6 (no 4)
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wayang kulit
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finely carved and painted puppets made of water buffalo hide; used in all-night performances of highly sophisticated and entertaining shadow plays
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Surakarta (Solo)
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one of the two court cities in the cultural heartland of central Java
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Yogyakarta (Yogya)
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one of the two court cities in the cultural heartland of central Java
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Jakarta
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capital of Indonesia (near the western end of the north coast of Java)
- Teaming metropolis of over 10 million people (some wealthy, some rather poor) - A mix of Indonesia’s many cultures (“unity in diversity”) |
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Kotekan
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Interlocking rhythmic patterns (Balinese)
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Kecak
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a form of Balinese music drama
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Groupings by type (loud playing only): hanging gongs
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gong ageng, kempul
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Groupings by function: colotomic (punctuating) layer
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gong ageng, kempul, kenong, kethuk
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other—Balinese only
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Ceng Ceng
Reyong |
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Groupings by function: drum layer
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kendhang
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Groupings by function: fixed-melody layer (balungan)
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saron, slenthem
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Groupings by function: elaborating layer (kembangan)
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bonang, gendèr (loud-playing)
suling, rebab, voice (soft-playing) |
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Groupings by type (loud-playing only): Metallophones, i.e. pitched metal slabs
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saron, gendèr, slenthem
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Groupings by type (loud-playing only): Drums
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kendhang
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Groupings by type (loud-playing only): Cradled gongs
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kenong, kethuk, bonang
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