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78 Cards in this Set
- Front
- Back
FIsherman, Strawberry, Devil Crab
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Miles Davis
1958 |
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Jazzoetry
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The Last Poets
1960s |
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Po' Boy Blues
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John Dudley
1960s |
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Tampering Ties
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Henry Truvillion
Texas 1940s |
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Black Woman
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Rich Amerson
South Date unknown |
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Hunter's Dance
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Malinke Male Vocalist
No Date |
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Blues in G
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Mance Lipscomb
1956 Newport Folk Festival |
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Talking 'Bout a Good Time
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Benjamin Bilgen
1960s Mississippi |
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Jim and John
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Ed and Lonnie Young
1959 |
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That's All Right
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Laura Rivers
South Carolina 1960s |
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Little Girls Sung Games
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7 girls from Kanoukro Village
1965 |
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Hammer, Ring
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Jesse Bradley
1934 |
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Shoo Turkey
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Mrs. Janie Hunter and Children
South Carolina 1960s |
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On the Subway
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The Last Poets
1960s |
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Sex Machine
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James Brown
1971 |
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Big Butter and Egg Man
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Louis Armstrong
Chicago 1926 |
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Black Bottom Stomp
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Jelly Roll Morton
1926 |
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Charleston
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Paul Whiteman
1925 |
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Crazy Blues
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Mammie Smith and Her Jazz Hounds
1920 |
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Crossroad Blues
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Robert Johnson
No Date |
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Daddy Goodbye Blues
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Ma Rainey
Chicago 1928 |
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Dead Man Blues
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Jelly Roll Morton
1926 |
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Dipper Mouth Blues
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King Oliver's Creole Jazz Band
Chicago 1923 |
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Felicity Rag
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Scott Joplin
No Date |
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How Ya Gonna Keep Em Down on the Farm?
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Lt. Jim Europe 369th US Infantry
1919 |
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Just a Little While to Stay Here
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Mahalia Jackson
1956 |
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Maple Leaf Rag
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Jelly Roll Morton
Washington D.C. 1938 and Scott Joplin |
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Nobody Knows You When You're Down and Out
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Bessie Smith
1929 |
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Potato Head Blues
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Louis Armstrong
Chicago 1927 |
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Sing On
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Eureka Brass Band
New Orleans 1951 |
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St. Louis Blues
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Bessie Smith
No Date |
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Tiger Rag
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Original Dixieland Jazz Band
1919 |
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Weeping Willow
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Scott Joplin
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Fisk Jubilee Singers
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-group of AA singers organized in 1871
-early reputation for spirituals -name intended to set them apart from blackface minstrels |
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Cyclical music
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small, short, repetitive melodies
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Playing the dozens
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an element of AA oral tradition in which two competitors wnet head to head in good natured "trash talking"
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Vibrato
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-musical effects produced in singing and instruments by a regular pulsating change of pitch
-used to add expression and vocal like qualities |
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Temp
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the speed or pace of a given piece
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Important New Orleans musicians
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Jelly Roll Morton
Louis Armstrong King Oliver Sydney Michay |
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Aesthetic
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pleasing; system of vale of beauty
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A cappella
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sung with out instrumentalists; only the voice
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Tunin' Preacher
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this tradition/practice suggests the world power concept
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Classification of Musical Instruments
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aerophones: sound from blowing a stream of air
chordophones: sound from vibrating string membranophones: sound from a stretched membrane idiophones: any instrument that makes a sound |
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TOBA
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Theater Owners Booking Association
-instrumental in the south to early jazz and classic blues performers -"tough on black artist" |
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Two beat style
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-associated with the tuba/bass instrument
-play on every half note |
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Melody
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the main tune
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Why does the ODJB provide one of the early ironies in jazz?
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-first to record jazz
-there were white |
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Why are the Sea Islands off the Carolinas and Georgia coast so significant in terms of African retentions?
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-oral tradition kept in prisons
-African decent -separated for many years |
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Tuba
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largest and lowest pitched brass instrument
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For Jones, why is the Civil War and the end of slavery so essential to the beginning of the blues?
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-ex slave could discover his own voice and life to sing it
-the blues reflected the new social and cultural complexity of the emancipated negro -emancipation offered the negro the opportunity to truly be alone |
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Routiner
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someone who has learned an arrangement by practicing over and over again
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Who are some of the significant singers associated with Classic Blues?
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Bessie Smith
Mammie Smith Ma Rainey |
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Work Song
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-style of functional music
-used by blacks while working to occupy time and provide relief |
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Scale
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musical notes collected in ascending/descending order
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Timbre
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quality of the sound and voices
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Folk Culture
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-orally passed on
-non commercial -binds people together -do not want everyone to know about it -1800-1850 -little difference between secular/religious |
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Empowerment
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-music has the capacity to change thing or the quality of an experience
-music is not simply organized sound, but a ling to the divine |
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Race records
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1920s-1930s
-white Americans gradually began to purchase records -entertainment music, classical blues, jazz |
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Ragtime
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-music for the piano
-not for dance, parlor music -mass produced (i.e. piano roll) -bridge between African dance rhythms and white popular entertainment -harmonization; intricacy in both hands -syncopated melody in right hand |
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Oral tradition
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-folk culture
-songs were passed on -not for everyone (family ties) |
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Jim Crow
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racist laws in the south that were used to segregate and keep blacks apart from whites
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Guitar
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-instrument that eventually replaced the banjo
-used in rural blues |
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Vocable
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-uses improvised nonsense syllables (bap ba do)
-vocals = lyrics |
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Creole
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-person of African/Indian decent with European ancestry
-many lived in New Orleans -spoke French -were more white than black |
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Cornet
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similar to a trumpet but distinguished by its conical bore, compact shape, and mellower tone
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Collective improvisation
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simultaneous solos of several players often seen in New Orleans bands
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Rhythm
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musical action in time
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Blues
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personal expression that emerges out of the folk experience
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Stop Time
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rhythmic illusion where the forward flow of music seems to stop while improvisors or singers continue with the flow of the meter and tempo
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Reed
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vibrates and creates a sound in woodwind instruments
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Reconstruction
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period of time where the US was rebuilt after it was put into ruins following the civil war
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Classical Blues
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-1910-1920s
-mostly women artists -songs focused on men -were geared towards society -produced for entertainment -recorded on race records -not 12 bar blues -TOBA |
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Falsetto
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upper register of a males voice
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For Jones, whats the difference between classic blues and older/rural blues style?
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Classic:
-not in 12 bar blues -aimed at society -women singers -less obscure to white america -professionalism Rural: -usually only a guitar -12 bar blues -one instrument -male -for self -personal nature |
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Minstrelsy
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-1st popular live enterainment
-performed in white communities -white people painted their face |
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Improvisation
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-creating in the moment in response to one's environmental
-African culture |
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Meter
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grouping of pulses, downbeat
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What is the New Orleans uptown/downtown distinction? Which populations are associated with which area?
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downtown = featured creole musicians and more raw
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