• Shuffle
    Toggle On
    Toggle Off
  • Alphabetize
    Toggle On
    Toggle Off
  • Front First
    Toggle On
    Toggle Off
  • Both Sides
    Toggle On
    Toggle Off
  • Read
    Toggle On
    Toggle Off
Reading...
Front

Card Range To Study

through

image

Play button

image

Play button

image

Progress

1/10

Click to flip

Use LEFT and RIGHT arrow keys to navigate between flashcards;

Use UP and DOWN arrow keys to flip the card;

H to show hint;

A reads text to speech;

10 Cards in this Set

  • Front
  • Back

When was this symphony written?

1788

Which movement from the symphony is it?

1st

How many movements in a symphony?

4

Melody.

-First subject: dark, intense, repeated semitone movement answered by descending scalic pattern, pathetique mood, falling phrases


-Second subject: lyrical, chromatic, falling phrases


-Trills add drama


-Sequences


-Countermelodies


-Oscillating contrary motion used in accompanying parts


-Scalic and arpeggiated melodies


-Melody is inverted (i.e. 1st subject rises instead of falls)

Tonality and Harmony.

-1st subject in G minor


-2nd subject in Bb major, but returns in G minor in recapitulation


-Ends on extended perfect cadence to create drama


-Imperfect cadences used


-Development section is in F# minor, passing modulations


-Suspensions


-Diatonic


-Exposition ends on D7 (dominant seventh) chord to pivot the piece to the new section

Structure.

-Sonata form


-Exposition, Development, Recapitulation, Coda


-Exposition: First subject, Bridge, Second subject, codetta


-Exposition is repeated


-Development is based on first subject


-No introduction (unusual)

Rhythm, Tempo, Metre.

-Molto allegro


-4/4


-First subject is based on quaver quaver crochet rhythms


-Second subject has longer note values and dotted rhythms


-Syncopation


-Scalic and arpeggiated passages usually quaver based


-First subject starts on an anacrusis


-Second subject starts on weaker beat of bar

Instrumentation

-Orchestra


-No trumpets or timpani


-Strings have most of the melodies


-Instrumentation swaps between strings and wind for second subject


-Two horns in two different keys so a wider range of notes are available

Texture

-Contrapuntal, with many layers


-MDH often used, i.e. at the beginning


-Moment of monophony when strings play alone


-Horns often play pedal notes


-Celli and basses play tonic pedal at start


-Antiphonal, imitation, particularly where fragments of the melodies are used

Dynamics

-A lot of the piece is forte


-Starts piano (unusual)


-Ends forte


-Sforzandos used to create force


-'Mfp's used to create drama