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37 Cards in this Set
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- Back
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benjamin west, the death of general wolf, 1770 history painting celebrating current event general wolf christ allegory - dying for his country vs dying for our sins native american "the thinker" late georgian |
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joseph wright of derby, a philosopher lecturing on the orrery, 1766 late georgian thinkers painting in similar way as greek gods, etc, embodies enlightenment genre scene: scene of everyday life but big as a history painting light source shows enlightenment process |
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henry fuseli, the nightmare, 1781 creature/horse (no pupils) evoke fear and loss of reason in dream gothic thrill/sublime nightmares are suffocating late georgian |
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jacques-louis david, oath of the horatii, 1785 french revolution theme: loyalty to state over everything roman influence, men rigid, women not. no brushwork. caravaggio influence in stark lighting neoclassical |
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jacques-louis david, death of marat, 1793 neoclassical murdered in bathtub, lack of allegorical imagery and grandiosity. horrible person irl, portrayed as martyr |
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goya, portrait of the duchess of alba, 1797 pointing at engraving in sand, only goya, points at infatuation mourning dress loose technique |
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goya, the dream of reason produces monsters, from los caprichos, 1797-98 evils of the world come out when reason sleeps, imagination must be kept in check with reason |
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jacques-louis david, the sabine women, 1799 art under napoleon emphasis on feminine qualities. roman history, contrast to oath of horatii, love over state |
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goya, family of carlor IV 1800-1801 |
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jacques-louis david, napoleon crossing the alps at the st bernard pass, 1800-1801 art under napoleon way too big for horse, propaganda |
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bertel thorvaldsen, jason, 1802-1828 neoclassical, roman/greek influence |
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antoine-jean gros, bonaparte visiting the plague house at jaffa, 1804 art under napoleon napoleon takes glove off & isn't disgusted while everyone else backs off played up exoticism propaganda history painting of current event |
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jean-auguste-dominique ingres, portrait of napoleon on his imperial throne, 1806 art under napoleon reminiscent of portrayal of Jupiter laurel wreath, ivory hand of justice used by french medieval kings |
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francisco goya, execution of the rebels on the third of may, 1808, 1814 history painting of current event, novel because it portrays nothing glorious or victorious |
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caspar david friedrich, woman in front of the setting sun, 1818-1820 pointing to three large stones - symbols of christian faith - faith triumphs over death (setting sun) |
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theodore gericault, the raft of the medusa, 1819 romanticism not an important historical event of propagandistic - unusual choice for a history painting, involving common people feels close up diagonal upward sweep |
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eugene delacroix, scenes from the massacres at chios, 1824 romanticism unusual emphasis on agony and suffering pessimistic half naked woman being abducted criticized for lack of composition |
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caspar david friedrich, hutten's grave, 1824 |
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jean-auguste-dominique ingres, the vow of louis XIII, 1824 romanticism inspiration from raphael, but virgin's face has been smoothed - sensuality |
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eugene delacroix, the death of sardanapalus, 1828 romanticism orientalism, decadency of king inspires revolution sweeping diagonal line free brushwork |
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eugene delacroix, liberty leading the people: july 28, 1830, 1830 combines real people with allegorical figure (liberty) |
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thomas cole, view from mount holyoke, northampton, massachusetts (the oxbow), 1836 wilderness vs cultivation landscape painting |
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louis daguerre, seashells, 1839 light & shade |
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david octavius hill & robert adamson, the birdcage, 1843/48 callotype birdcage symbol for marriage art photography |
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asher b durand, landscape: progress, 1853 wilderness vs cultivation landscape painting |
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jean-leon gerome, snake charmer, late 1860's voyeristic fantasy, vague homoeroticism |
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timothy o'sullivan, a harvest of death, gettysburg, pennsylvania, 1863 set up idea that photography is transparent pockets turned out, shoes stolen |
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jean-leon gerome, the call to prayer, 1865 |
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e carolus duran, mademoiselle de lancey, 1876 elegance, ankles exposed |
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alexandre cabanel, the birth of venus, 1863
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neoclassicism |
inspired by enlightenment, morally responsible, focused on french politics, references to greek, roman, rich colors |
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late georgian |
gothic revival sublime |
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david, history painting, french revolution |
line over color |
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art under napoleon |
propaganda drew on greek and roman architecture |
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goya |
last of the old masters, first of the moderns balanced reason and emotion |
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romanticism |
rejected ideas of enlightenment color over line emphasis on nature |
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lanscape painting |
politics |
