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9 Cards in this Set
- Front
- Back
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MingDynasty (1368-1644) |
The beginning for the returning of theChinese ruleThe court was actively engaged in therestoration of art |
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Theconstruction of the Forbidden City, during the reigns of Emperor Yongle (r.1402-1424) |
Thescale of artistic production was highCenterfor porcelain and textile production Chinaduring this time reached its golden period |
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Newregional centers & New patrons of art: |
Suzhou and Nanjing in Yangzi delta region The literati painting: the Wu (Suzhou) School (keyterm) name was given in the early 17th c.
the rise in production of silk and porcelainled to the rise of regions and the patronage of art |
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•ShenZhou (1427-1509) |
lived a long prosperous life. Spent time in art and culture bc of his large amount of money was not interested in a court position What his
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Poeton a Mountain Top, 1490-1500, ink on paper, album leaf mounted as a hand scrollShen ZhouThe composition reminds us of ni zens workUse a simplified composition to representnatureHis brushwork and the use of ink invarious tones the literati paintings ink and brushworks expressed emotionsShows their broader cultural backgroundBrushwork and use of ink. Used to showthe textures and carefully built with strokes various types of ink colors andink dots in order to emphasize nature |
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QingDynasty (1644-1911): |
Manchu’s emperors’ support of Chinese artLongestdynasty in Chinese historyTheManchu rulers considered themselves as the protectors and promoters of Chineseart and cultureTheythemselves were calligraphers, artists, and poets
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GiuseppeCastiglione (1688-1768) |
Chinese name Lang Shining, Jesuit missionary painter
Scientificperspective; shade and light (chiaroscuro); oil painting and copper plateitching Showshow they embraced foreign cultureSuccessfullyserved three Chinese emperors Theywere fond of his Italian renaissance skillsHewas given the responsibility to stylize a royal garden |
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OneHundred Horses:1728, ink and color on silk, presented to EmperorQian Long(r. 1736-1795) in 1735Thewestern painting technique is unusual Hisintroduction of a light source |
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One hundred horses |
atmospheric Onepoint perspectiveforeshortening Light Textured strokeCompositionSubject matter reflections. Training in his concern over reflectionsanother depiction of his western styleOverall we see the careful combination ofChinese and |
