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40 Cards in this Set
- Front
- Back
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1. Designing the right hairstyle for your client begins with:
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c) analyzing the whole person
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2. An important factor in being a good hair designer is:
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a) a strong visual sense
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3. Once you have a strong foundation in both technique and styling skills, you can:
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b) take calculated risks
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4. The element of form describes:
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b) overall outline of a hairstyle
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5. The term space in hair design refers to:
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b) volume
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6. The use of curved lines in a hair design can be used to:
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d) soften a design
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7. The use of repeating lines, whether straight or curved:
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b) creates more interest in the design
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8. Through the use of colour in hair design, you can create:
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a) the illusion of more or less volume
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9. When choosing a new haircolour, one of the consideration is:
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b) the client's skin tone
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10. The terms straight, wavy, and curly describe:
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a) wave pattern
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11. Wave patterns can be altered by the use of:
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d) chemicals
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12. One of the principles of hair design, proportion, refers to the:
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c) relationship between hair, face, and body type
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13. Using asymmetrical hair design is effective in:
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d) balancing facial features
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14. Ornamentation is an exciting method of creating:
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a) emphasis
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15. A harmonious style creates a look that is:
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b) proportionate
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16. When you analyze your client's features, you can style your design to:
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c) play up strengths and minimize weaknesses
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17. Fine, medium and coarse are qualities that refer to:
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b) hair texture
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18. Fine, straight hair creates a silhouette that is:
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d) small and narrow
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19. The most versatile hair type for styling is:
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d) wavy, medium
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20. If not properly shaped, a very wide silhouette could appear with hair that is:
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c) wavy and coarse
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21. Straight coarse hair has some volume but is:
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a) hard to curl
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22. In hair that is too long, separation can occur and reveal too much scalp if hair is:
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b) curly and fine
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23. The widest silhouette is found in:
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a) extremely curly, coarse hair
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24. Facial shape is determined by the:
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a) position and prominence of facial bones
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25. The generally recognized ideal facial type is considered to be:
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d) oval
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26. For design purposes, the 3 zones of the face are forehead to eyebrows, end of nose to bottom of chin, and:
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c) eyebrows to end of nose
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27. among the facial shape is:
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d) inverted triangle
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28. If your client has a narrow forehead, it is recommended that you:
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d) style hair away from forehead
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29. When styling for a client with a long jaw, the hair should be:
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a) full and falls below the jaw
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30. A profile is the outline of a face or figure as seen in a:
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d) side view
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31. There are 3 basic profile types: straight, convex, and:
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a) concave
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32. If your client has a convex profile, the hair in the chin area should:
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d) move forward
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33. When styling for a client with a large forehead:
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b) use bangs with no volume
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34. If your client has a large chin, be sure the hair is:
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a) above or below the chin line
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35. When a client wears glasses, it will affect how you design the hair:
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a) around the ears
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36. The 3 basic parts for bangs are triangular, curved and:
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b) diagonal
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37. The use of a side part helps to:
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d) develop height on top
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38. When consulting with a male client, recommend styles that are:
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d) flattering and appropriate
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39. You can camouflage a receding chin in a male client, with:
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d) a full beard and moustache
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40. A balding male client may look good with a:
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a) closely groomed beard and moustache
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