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68 Cards in this Set
- Front
- Back
For 20 years, from the coming of sound in 1929 to 1949, roughly ___________ Americans went to the movies every week. |
80 to 90 million |
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Who produced the first motion picture camera? |
Thomas Edison |
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Starting in 1905, "nickelodeons" began to spring up to show motion picture films. What was the cost? |
5 cents |
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After the "nickelodeons" era ended, bigger theaters were created called __________. |
Movie Palaces |
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In 1908 producers banded together to form the ____________ to control production. |
Motion Picture Patents Company (MPPC) |
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From 1896 to roughly 1905 the audience that went to the movies was _____________. |
Middle Class |
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Which director is famous for parallel editing in early cinema? |
D. W. Griffith |
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D. W. Griffith's epic ___________ illustrated the power of the motion picture medium to communicate ideological argument. |
The Birth of a Nation |
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Cinema has developed into the following institutions. |
Economical and Technological |
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What director was the first to shoot in the village of Hollywood? |
D. W. Griffith |
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Classical Hollywood cinema possesses a style that is largely _________ and difficult for the average spectator to see. |
Baroque |
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Every aspect of the production operation was geared up to facilitate the smoothest possible flow of the ___________ process. |
Narrative |
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Equilibrium is disrupted at the beginning of the film and only recovered at the ___________. |
End |
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In Classical Hollywood Films the narrative ends ambiguously with no clear ending. |
False |
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Often, in Classical Hollywood Films, the character's goals had a specific deadline that had to be met. |
True |
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Most spectators are aware, either consciously or unconsciously, that films are _________. |
not real |
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Audiences generally experience films of the classic studio era as ___________. |
Continuous |
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Aristotle defined the 3 dramatic unities as ___________. |
Action, time, and/or space |
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What type of format did the film Some Like it Hot have? |
Journey |
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Do Citizen Kane and The Social Network fall under the Classic Hollywood Cinema narrative? Why?
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Both don't because there is no clear protagonist, they are not continuous, and they are considered modernist films.
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Classical Hollywood cinema is a __________ centered cinema. |
character |
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Mise-en-scene means: |
Put on the stage |
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Mise-en-scene is: |
Camera composition |
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In Citizen Kane when Charles Kane is defeated and is standing in his deserted campaign the low angle of the camera actually captures his powerful powerlessness, making it appear as if the character is about to topple over. |
True |
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One formal device of camera movement is a/an: |
Zoom |
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The standard lighting setup employed in Hollywood films is called: |
Three-point lighting |
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What type of lighting effect conveys an upbeat comedy?
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High-key lighting
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What sound takes precedence in any scene? |
Dialogue |
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When we cut to the character's perspective, it is called: |
Point-of-view |
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To guarantee matches in screen position and movement filmmakers use: |
180-degree rule |
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Hortense Powdermaker described Hollywood as ___________. |
A dream factory |
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To reduce risks, Hollywood generated its own form of brand names called ___________. |
The star system |
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What studios were part of the majors? |
Paramount, Loew's/Metro-Goldwyn-Mayer (M-G-M), Fox/20th Century-Fox, Warner Bros., and Radio-Keith-Orpheum |
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What studios were part of the minors? |
Universal, Columbia, and United Artists |
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The studio system succeeded because the U.S. courts declared the MPPC to be in violation of the Sherman Antitrust Act in 1915. |
True |
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Vertical integration refers to the studios' control of ________, ________, and __________.
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production, distribution, and exhibition
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Everyone in the studio system was under contract; how long were the stars' contracts? |
7 years |
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Who was at the top of the production process in the chain of command? |
Chief Executive |
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What studio was known for screwball comedies? |
Columbia Pictures |
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What studio is known to have invented the Horror genre with films like Dracula? |
Universal |
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In 1911, Vitagraph launched the Motion Picture Story Magazine, the first fan magazine. |
True |
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Stars were _________ that the studios could take to the bank. |
Assets |
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Many contemporary stars got their start in film through their apprenticeship on a successful __________. |
Television series |
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Which star/s have appeared in seven consecutive blockbusters that have earned over $100 million each?
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Tom Hanks, Tom Cruise, and Will Smith
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Stars essentially consist of three personalities -- the star, the actor and the __________. |
Actual person |
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A star is an actor whose persona transcends the sum total of his or her performances. |
True |
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Marilyn Monroe says, "only the _________ can make a star..." |
Public |
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Throughout history Stars were created because they answered the public's conscious or subconscious need of that particular time. |
True |
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Histories tend to cite ___________ as the first movie star. |
Florence Lawrence |
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__________ emerged in the late 1960's as the first black star. |
Sidney Poitier |
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"Melodrama" literally means "a drama accompanied by music." |
True |
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If the story or situation was not rooted in melodrama, then at least the acting or __________ was. |
Mise-en-scene |
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Melodrama was a ___________ genre. |
Modal |
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For setting; Melodramas take place in the ___________. |
Domestic space of the family |
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Melodrama in America remained steadfastly populist; there were urban and rural populist that had diverse views but both camps supported _____________. |
social reform |
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What are the characteristics of the Melodrama Genre? (Who was the hero, villian, etc.) |
The hero was guided by virtue or a sense of noble purpose. The villains were landlords, factory owners, and other symbols of industrialization. The plot was formulaic with a beginning (normal, accepted pattern of life), a middle (continuous disturbance and imbalance in the world), and an end (the resolution where the hero saves the day or balance in the "universe" is restored). The language is melodramatic (full of expressive body language, facial expression, make-up, setting that all speak non-verbally). |
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American Comedy helped bring out political incorrectness about __________. |
Racism |
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Through the theme of comic ___________, American screen comedies demonstrate the flexibility of our democratic social structure in its ability to absorb new members... |
Integration |
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Ultimately, what is important in comedies is not so much the positive or negative aspects of change as the way in which characters respond to change. |
True |
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Slapstick comedy is: |
Humor involving exaggerated physical activity which exceeds the boundaries of common sense. |
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Charlie Chaplin's comedy was rooted in ___________ values. |
19th century |
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Screwball comedy is: |
Fast-pace repartee, farcical situations, battle of the sexes humor that involved courtship and marriage |
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Screwball comedies bridged __________ differences, solving the social problems of the Depression era. |
Class |
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A thesis comedy is a comedy with an overt celebrity message. |
False |
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Beneath its witty dialogue and behind its clever sight gags, American film comedy has a latent __________ agenda, addressing controversial issues in such a disarming way that they appear to lose all controversy. |
Social |
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What type of comedy was the film "His Girl Friday?" |
Screwball |
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How does or doesn't Airplane fit with Hollywood Classical style? Why? |
Classical because it is character driven and has a resolution. Not classical because it draws attention to the film and it isn't seamless. |
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Explain the mise-en-scene in the video clip with the black lady in bed and the white lady standing in front of the window. |
The bed post is splitting the two lifestyles/personalities. No matter where the white lady moves there is still a divide between the two lives. The white lady is standing and moving and her side of the screen is bright and busy while the black lady's side of the screen is dark, dull and boring. |