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107 Cards in this Set

  • Front
  • Back
Ground Plan
A map of the playing area for a scene.
Casting Call
A tryout for auditions.
Picturization
Attention to visual symbolism
Composition
Beauty
Rythm
The result of repetition at regular intervals
Balance
On stage so one side isnt over populated or heavy
Focus
Enlarging, illuminating, indicating, elevating (standing while sit), isolating, framing (doorway)
Pace
Tempo (intensity and energy)
Timing
Ex-Comic timing is delivery or punchline
French Scenes
Rehearsals broken down into parts determined by when the main actor leaves or returns
Scenes
Between curtains or blackout
Beats/Units
Further broken down scene between initiation and end of an objective
Technical Rehearsals
Rehearsals done sometimes without the actors, staging and lighting for example
Dress Rehearsals
Costume elements incorporated and final dress rehearsal is actual play
Properties
Things used by the actors not part of the scenery (furniture, flags, swords)
CAD
Computer Assisted Design
Technical Director
Execution of designs and organize and manage technical production
Silhouette
mass and outline of the costume when worn
Gel (lighting)
filter that changed colors in front of normal lighting
Light Plot
plotting designers plan
satyr play
short comedy that followed tragedies
Thespis
wrote tragedies using one actor and chorus
Aeschylus
Introduced a second actor and change in the play. Heroes.
Sophocles
Third Actor added with changing costumes and painting. He wrote plays that explored the place of humans in the universal order.
Euripides
Not popular during his time. Realistic plays and examined human relationships.
Great Dionysia
Writing competition once a year. 3 males compete, total of 9 tragedies and 3 satyrs. Athens.
Old Comedy
Two partsw Rediculous idea followed by funny episodes about the idea.
Orchestra
area at the base of the audience
Facade stage
conventional form where actors perform in front of a neutral facade and the audience watches from 3 sides or less
Skene
originally tent or both behind the orchestra opposite the audience. Where actors changed and came in and left from.
Eccyclema
movable platform that rolled out to show offstage actions
Mechane
crane to let things fly
Costumes
showed characters traits:Ethnicity, gender, social role
Athens Golden Age
Ended when sparta conquered Athens and then Alex the great conquered all greece--Middle comedy was started, a more benign tone.
Hellenistic
Age of alexander for theatre. Culture from all areas. Two storied skene. Onkos, new masks, cothurnus, new high boots.
New Comedy
domestic tales of middle class life in a series of episodes
Aristotle
Imitates action that is serious, complete, and of a certain magnitude. Takes the form of action, not narrative. Produces pity and fear and the catharsis of such emotions
Aristotle Cont.
Best protagonist was one who causes his own downfall. Spectacle is for the machinist, not poet. Plot is most important
Mime
Awesome.
Humanism
new concern for people and earthly lives
Secularism
Logical thought and normal life rather than heaven. Ex Astrology
Sharing Company
self governing units or theatres with members sharing expenses and profits
Golden Age of England and Spain Plays
An early point of Attack-play begin at beginning of story, several lines of action- different lines that merge into one as play goes on, A large number of incidents, Free use of time and place-years or days, An Unusually large number and range of Characters, A language in the plays that is varied
Masques
individual performances that were private
Women Actors
Spain allowed them, England did not
Illusionism
illusion of real life
Italian Renaissancew
Neoclassical ideal, italianate system, commedia dell'arte
Neoclassicism
New classicism- has 5 points
Verisimilitude
To be true in a sense. Fundamental, unchanging and general.
Decorum
Behave as they should for their sex, age, class etc
Purity of Genres
Tragedies and comedies not mixed.
Three Unities
Time, place, and action
Five Act Play
Standard for drama- 5 sections separated by choruses
Twofold-Purpose
To teach and please
Vitruvius
Was a major contributor in the italianate theatre. Specificially linear perspective
Linear Perspective
Three dimensions on a two dimensional surface. Greater depth then was really there.
Italianate Staging
Based on Serlio's scenography from the book Dell Architectura, and from Vitruvius teachings.
-Singe Point Perspective-same vanishing point
-Wings-On sides of stage closing in toward vanishing point
-Backdrop/shutter-pair of wings pushed together
-Raked Stage-Lower in front, near audience, higher in back (upstage//downstage)
-borders
-movable machinery (chariot/pole system)
Cokmmedia dell'arte
Professional playing aka
-Worked from one main scenario, actors improvised much.
machine plays
plays written specifically to use the new scenery
Jean Racine
French playwright
Moliere
french playwright-wrote comedies
Sentimentalism
each individual is basically good. Opposite neoclassical(human existence is a struggle between good and evil)
Angle perspective
vanishing point to the side not center
Possession of parts
an actor who played a role in a company would have that role till he left
Comedies of manners
Witty dialogue and sophisticated sexual behavior reflected high artificial and mannered society
Sentimental comedy
more then just comedy
domestic drama
Replaced heroic and neoclassical tragedy
-serious drama
pantomimes
combined commedia dellarte, farce, mythology and afterpieces
Romanticism
1750-1850
-higher education, revolution, new technologies, demographics changed, new markets, no more slaves in europe
Nature of Romanticism
Rebellion, Art with a capital A(art was special), Nature,Anti Industrialism, Uniqueness``
closet drama
plays written to be read, not staged
Richard Wagner
Opera composer
-idea of unity and a classless audience space
Continental seating
first classless seating
-like a fan, close to modern day theatres
Realism
Art should show real life
Box set
no more wings, actual sides like a room missing a wall
Naturalism
trush resided in real and natural objects and materials
-objectivists
Saxe Meiningen
-was a duke
-influencial in realism and naturalism staging and production
Andre Antoine
amateur actor who started his own theatre, Theatre Libre
-interested in new pklays and faced censorship
-started the independent theatre movement
Fourth wall staging
by Andre Antoine
-made a room and then decided which wall to remove
Ibsen
launched realism as a major movement
-A Doll's House
Shaw
English realism comedic writer
Chekhov
The Seagull
-realism writer
Impressionalism
style against realism that sought to capture fleeting movements of awareness that were believed to constitute the essense of existence
expressionism
focused on politcal and social Q's in a stage world close to nightwarek
symbolism
simple in staging and statementk
Constructivism
biomechanics-well trained actors
absurdism and dadaism
lifes meaningless and arts irrelevancy
Alienation effect
A Effect by Brecht
-alienated audience so they made own opinions
The New Stagecraft
went with anti realism movement with simple but abstract settings
Little theatres
small audiences in america
Commercialism
1750-1960
-capitalism and wealth
-theatres made profits
Actor managers
main actor that manage the company and eventually led to director managers and producers
Star system
easier travel went more and distant places
Sentimentality
arousing of feeling out of proportion to cause "easy tears"
Melodrama
Good vs evil but good always won
-Music drama"
-signiture music-the same music for an actor
Spectacle
fires explosions etc
gentlemanlty melodrama
less crazy with spectacle and a simpler topic
Uncle Toms Cabin
most important melodrama
Tennessee Williams
Glass Menagerie, a streetcar named desire
Arthur Miller
american writer
- wrote All My Sons/Death of a Salesman
Oscar Wilde
English write
-wrote The Importance of Being Earnest
integrated musicals
west side story and gypsy Examples
antiquarianism
historical accuracy
Group theatre
non commerical theatre in NY
Federal Theatre Project
gave actors jobs who lost them in the depression
Regional Theatre
Theatre outside NY
Off Broadway
new talent and ideas