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94 Cards in this Set
- Front
- Back
Ipponme – Mae
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Front - First Kata
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Nihonme - Ushiro
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Behind - Second Kata
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Sanbonme - Ukenagashi
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Receive and deflect - Third Kata
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Yonhonme - Tsaka-ate
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Hilt strike - Fourth Kata
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Gohonme - Kesa giri
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Priet's robe cut - Fifth Kata
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Ropponme - Morotezuki
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Two-handed thrust - Sixth Kata
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Nanahonme - sanpo giri
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Three directional cuts - Seventh Kata
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Hachihonme - Ganmen-ate
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Face strike - Eighth Kata
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Kyuhonme – Soete Zuki
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Joined hands thrust - Ninth Kata
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Jupponme - Shiho giri
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Four directional cuts - Tenth Kata
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Juipponme - Sou giri
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Complete cuts - Eleventh Kata
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Junihonme - Nukiuchi
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Sticking closely - Twelfth Kata
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Ichi
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one
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Ni
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two
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San
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three
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Shi
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four
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Go
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five
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Roku
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six
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Shechi
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seven
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Hachi
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eight
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Kyuu
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nine
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Juu
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ten
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Mo ichi do
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Do it again
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Chakuza
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Sit in a seiza or tata hiza
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Hajime
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Begin
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Yame
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Stop
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Nukitsuke
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Initial drawing cut
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Yoko giri
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Horizontal cut
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Makko
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Vertical strike (head to abdomen)
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Men
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Cut to the forehead
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Furi kaburi
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Swinging sword overhead in preparation for a cut
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Saya biki
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Pulling the saya behind you to stabilize a cut or to facilitate noto
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Saya banare
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The snapping action of the sword leaving the saya during nukisuke
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Te no uchi
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Proper grip and control of the sword
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Hikki giri
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Cut that slices as you step away from opponent
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Chiburi
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Snapping the blade to clean it
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O-chiburi
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Overhead swing of blade to clean it (literally, large or great chiburi)
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Ko-chiburi
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Sideways snap of blade to clean it
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Noto
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Resheathing
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Ashi-sabaki
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Footwork
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Tachi waza
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Standing techniques
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Okuri-ashi
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Front foot moves first if moving forward, rear foot moves first if backing up
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Tsugi-ashi
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The back foot steps up close to the front foot, then the front foot moves forward
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Ayumi-ashi
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Crossing step. Normal walking
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Hiraki-ashi
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Diagonal or opening step to side
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Maai
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Distance from yourself to your opponent
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Issoku itto no maai
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Distance of “one step, one cut”
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To no maai
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Great distance
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Chika no maai
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Close distance
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Metsuke
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Directing your gaze or focus
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Saho
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Etiquette
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Reiho
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Way of bowing
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Ritsu re
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standing bow
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Za re
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Sitting bow (from seiza)
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To re
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Bow to the sword
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Sage to
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Standing position with the sheathed sword held in the left hand
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Tei to
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Holding the sword on the left hip
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Tai to
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Insertion of sword into obi
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Dat to
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Removal of sword from obi
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Enzan no metsuke
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All encompassing gaze (literally: Looking at a distant mountain)
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Seme
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Projecting your ki strongly at your opponent
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Zanshin
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Maintaining a state of alertness or awareness
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Mushin
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The unselfconscious mind
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Saya no uchi
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The ability to stop violence before it can happen (literally: Sword never leaves the saya)
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Chudan no kamae
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sword at navel, tip toward opponents throat.
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Gedan no kamae
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Sword at navel, tip slightly down
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Jodan no kamae
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hands above forehead, sword slightly back from vertical
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Hasso no kamae
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hands to right of head, sword slightly back from vertical and slightly out to side
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Waki gamae
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body turned slightly to right, sword down below obi facing back with edge down
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Ze retz
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Line up
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Joza nie
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face front, move sword in front of body to right side. Edge down.
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Re
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bow
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Sensei nie
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face the Sensei
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Onogei shimasu
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let us practice
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Tsuka
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hilt
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Kashira
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pommel
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Tsukagashira
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pommel
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Menuki
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hilt ornament
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Mekugi
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retaining peg
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Tsuba
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guard
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Fuchi or Fuchi gane
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retaining band
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Habaki
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collar
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Ji
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Lower surface
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Shinogi
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ridge line
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Shinogi ji
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upper surface
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Ha
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edge
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Mune or mine
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back
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Mono uchi
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main cutting area
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Kissaki
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point
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Koi guchi
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opening
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Kurikata
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cord holder
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Saya
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scabbard
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Sageo
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Cord
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Kojiri
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end of saya
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