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11 Cards in this Set

  • Front
  • Back
Structure

Minuet and Trio form


Rounded binary form in each dance


1-51 Minuet


16-52 Section B repeated


35-42 Minuet opening repeated


52 Trio


52-64 Repeated


59-64 6 bar phrasing


64-94 Repeated


Men. DC - repeat Minuet without internal repeats

Melody in the Minuet

0 Anacrusis


0-1 Rising tonic triad


9-10 Legato version of theme


21-24 Hemiola with rising tonic triad


30 Bb gives a minor tinge


35-38 embellished theme

Harmony in the Minuet

1-5 oboe doubles violin


2 diminished chord


3-4 plagal cadence


8-9 perfect cadence


9-12 tonic pedal


14-15 perfect cadence


17 close harmonies and resolution


20-22 brass in thirds


26-30 pedal


27 Neapolitan 6th


28 diminished chord


35-39 tonic pedal

Tonality in the Minuet

1 D major, tonic major


16 B minor, relative minor


23-25 Circle of 5ths


25 A major, dominant


35 D major, subdominant

Texture in the Minuet

9-15 lighter scoring, 2/8 woodwind playing and no trumpets


45-46 Grand Pause

Instrumentation in the Minuet

1-8 use of timpani adds to aristocratic formality


7 trills and drumroll in measured semiquavers


43 trills

Melody in the Trio

55-59 long lines of flowing quavers


65-72 violin countermelody


84-87 descending chromatic scale, ascending sequence


95-100 rising chromatic scale

Harmony in the Trio

53 perfect cadence


59-61 bassoon and violin in octaves


93-94 perfect cadence


95-97 tonic pedal

Tonality in the Trio

52 Bb major, unrelated, flattened submediant


64 C minor, supertonic


77 Bb major, subtonic

Texture in the Trio

52-54 unaccompanied passage to ease transition


75-76 polyrhythm


87-88 tutti silence

Instrumentation in the Trio
55 pizzicato71 arco81 pizzicato90 arco