Havc Final

Front 1

Back 1

Rena Point Bolton
took a long time to re-learn
she learned to weave from her ancestors
keeping the culture alive
she's teaching people how to weave

Front 2

Back 2

Doreen Jensen
Aboriginan artist
educator and carver
she learn from ancestors

Front 3

Back 3

Joane Cardial-Schubert
The Lesson
1989

made by indigenous artists
provided for canadians to teach them about natives culture and heritage

Front 4

????

Back 4

Jane Ash Poitras
Healing Shaman
mixed media

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Back 5

Rotimi Fani-Kayodé. Nigerian/British. (b.1955-1989)
Adebiyi, (1989)

Fixity
Stereotype
Ambivalence

Front 6

???

Back 6

Wangechi Mutu,Nigeria/U.S.
The Bride who married the Camel Head, 2009

Front 7

Back 7

Ingrid Mwangi (Kenya/Germany). Static Drift, 2001
long term art-she actually had to tan her body to get art

Front 8

Back 8

William Kentridge, South Africa, History of the Main Complaint, 1996
he draws on people's pain to invoke the emotion
pain of the human era - human rights and injustice to the south african.

Front 9

Back 9

The Fictions of Culture
Yinka Shonibare, MBE, British/Nigerian, The Crowning, 2007

headless so you don't know if they're white or black to avoid stereotypes
african print clothing with british art (africa and Europe)
commodity

Front 10

Back 10

Yinka Shonibare MBE
Diary of a Victorian Dandy: 14 hours, 1998.
ironic - black would not actually have this position

Front 11

???

Back 11

meedonnooss.
power- was not suppose to be up there/ not any good photographs of it because people would climb, take a picture real quick and rush back down.

Front 12

???

Back 12

Kiluanji Kia Henda, Angola, Redefining The Power II (Series Homem Novo with Shunnuz Fiel), 201

left: staute that was there before knocked down

Front 13

???

Back 13

Nontsikelelo Veleko
South Africa
Thebo Chicks, 2004

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Back 14

left: Albert Namatjira, Kwariitnama (Organ Pipes)
right: Albert Namatjira, Mount Sonder, MacDonnell Ranges, 1957

drawings of dreaming landscapes.

Front 15

Back 15

Louisa Napaljarri Lawson
“Witchetty Grub Jukurrpa”
1989.

ground painting - not permanent - process was important not the final product

Front 16

Back 16

Clifford Possum Tjapaltjarri
Yuelamu honey ant dreaming

on a school wall.
wall painting - permeant - gave away the performance that goes away with it - takes away property rights

Front 17

Back 17

Uta Uta Jangala
Yumari
1981

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Back 18

Uta Uta Jangala (left) directing the painting of Yumari assisted by (left to right) Anatjari Jampijinpa, Dinny Jampijinpa, John Jakamarra, Kania Japangardi, Charlie Japangardi, and Yala Yala Jungarrayi Gibson (back to camera), Papunya, Central Australia 1981

one person's dreaming but a group of people painting.

Front 19

Back 19

Michael Nelson Jakamarra, assisted by Marjorie Napaljarri, Five Dreaming, 1984

dreaming- areal view of the land
part of the dreaming (not the whole dream)

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Back 20

left: Mitch Dunnet, Take the Pressure Down
right: Robert Campbell Jr. Death in Custody

high percentage of aboriginal people in prison, high suicide rate in prison.
the background=flag
brings light to the state of aboriginal people.

Front 21

Back 21

Fiona Fey
left: The Annihilation of the Blacks, 1986.
right: Fish on Poles. 1962. (Location: Aurukun.)

3D art
killing of aboriginal people to get them off the land. (mimicking fish - because people kill fish easily)

Front 22

Back 22

Sally Morgan
Taken Away

STOLEN GENERATION
sally morgan - aboriginal/ she had to keep her papers with her at all times and she couldn't vote
rabbit proof fence
aboriginal children are being taken away
parents are reaching for children

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Back 23

***left: Gordon Bennett The Plough 1989
right: Hans Heysen Ploughing the Field 1920.

skulls = aboriginal people. white people building their society on top of the dead generation.

Front 24

Back 24

Gordon Bennett, Self-Portrait (But I Always Wanted to be One of the Good Guys), 1990

vashing point behind the boy
indian dressed like a cowboy
shows both sides of gordan bennett
"i am light and i'm dark"

took Colin McCahon, "Victory over Death 2,"1970 (New Zealander) and made "IAM"

Front 25

??

Back 25

Australian Bicentennial, 1988, “Invasion Day”
bottom left: E. Phillips Fox, Landing of Captain Cook at Botany Bay, 1770 made in: 1902

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Back 26

left: Gordon Bennett, Possession Island, 1991
right: Samuel Calvert after John Gilfillan“Captain Cook taking Possession of the Australian continent on behalf of the British Crown under the name of New South Wales 1770”
1865

he's the only one visible
he's a servent/ in front of a grid (shows that he's primitive to the whites)

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Back 27

Gordon Bennett
Untitled, 1989

how people disregard the aboriginal

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Back 28

**top: Gordon Bennett, Myth of the Western Man (White Man’s Burden), 1992
bottom: Jackson Pollock Blue Poles, 1952

he's holding on to the poll ("holding onto his land")
key dates in blue**

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Back 29

left: Gordon Bennett, Outsider, 1988
right top: Vincent Van Gogh, The Artist’s Room in Arles, 1889
right bottom: Vincent Van Gogh, The Starry Night, 1889

beheaded of the aboriginal
built from the blood of the aboriginal
make him feel like he's an outsider
renaissance - van gough

Front 30

?????

Back 30

John Citizen
Number Nine
2004

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Back 31

left: MIGRATION; Excavation at Kenniff Cave, Quee
right: DREAMTIME; Bradshaw figure, rock painting new King George
River, Kimberly region, Western Australia, c. 6,000 BP

dreamtime = property rights

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Back 32

BEGINNING OF COLONIAL ERA
Boats, probably c. 1840
Mt. Borradaile, Western Arnhem Land

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Back 33

William Blandowski
Corroboree, 1855/6
engraving & aquatint from Australia Terra Cognita

performance terra nullius
uncultivated land - land belonging to no one
territory that was never claimed
MOBBOOOOOOOO!

Front 34

Back 34

Albert Namatjira
Ghost Gum, Mount Sonder, MacDonnell Ranges
Watercolor and pencil on paper, 1957

started putting their artwork into water color instead of wall art.

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Back 35

Geoffrey Bardon, 1971

left: Billy Stockman Tjapaltjarri, Long Jack Pilipus Tjakamarra, Kaapa Mbitjana Tjampitjinpa, Old Mick Tjakamarra and other artists. Honey Ant Dreaming, 1971. Mural at Papunya School, now destroyed

right: Freddy West Tjakamarra at work on an acrylic painting 1981

Geoffrey Bardon-introduces acrylic art/drawings
he worked with elders to create permanent dreamings.
elders gave away dreamings and made them public

DON'T DO ITTT. >:|

alter the drawings a little?

Front 36

According to the Lucashenko, what is geography and why is it important?

Back 36

maps = navigation

border of land/knowledge - man vs women (gender identity)

europeans => geography = navigation
aboriginal => geography = plants, land, animals (EVERYTHING IN AREA)

Front 37

??????

Back 37

Landownership in Legal System

William Westall
Body of an Aborigine shot on Morgan’s Island, Blue Mud
Bay, 1802

Front 38

Back 38

Proclamation of Governor
Arthur to the Aborigines
c. 1829
Oil on pine

british drew it. if the aborigine joined the british, than there would be equality.
visual for the aboriginal
equality for the whites and aboriginal

Front 39

Back 39

Various artists
The Yirrkala Bark Petition, 1963
Ochres on bark and paper

made dreaming recognized as land ownership
actual petition
stamped it with "conformity" (becoming to society)
visual (artwork/dreaming) = writing
challenging terra nullus?

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Back 40

CHURINGA
object=Dreaming=person=land

how they avoided terra nullus

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Back 41

Mabo Decision of 1992

Ellen Jose RIP Terra Nullius 26 June 1788-3 June 1996 Marble, sand, stones, bamboo, shell, raffia, silk, plastic flowers, sating ribbon.

mabo tried to get the land back (him and his family have been farming there for years)
terra nullus only worked for uncultured land ==> terra nullus void.

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Back 42

tihu
Hopi girl holding a tihu

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Back 43

Fred Harvey Trading Company & Santa Fe Railroad, 1882

the very first disneyland.

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Back 44

Changes in production:
done in studio in front of children
bought instead of made
women carve
children not allowed to play with tihu
signed by artist
more elaborate
represent dancers not spirits tableaus

Front 45

why hello darre. ;)

Back 45

Diane Branam

authenticity- she made them and she sold katsina dolls

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Back 46

Navajo workers in New Mexico "Katsina" factory woodworking station

fake/authentic
hopi tried to copy right the doll but couldn't